BIOGRAPHY
The paintings begin as a series of drawings gathered and referenced to collectively assemble a fictitious landscape. The resulting unnamed place provides an accessible, comfortable subject for the viewer and then as the viewer is engaged, it unfolds to present layers and exploration of both formal and material issues. It is a landscape intended for the viewers to enter into and move around in. The use of rhythm, timing and touch present a pathway which when allowed to take over, sends you searching. Never resting on what is real but rather resting on what is perceived.

