ARTIST STATEMENT

Andrew Carne is an artist and lecturer whose current work explores various scientific topics and involves 'picturing' the body through science. The topics of his work include memory, the brain, developmental neuroscience, genetic disorders, temporal lobe epilepsy and the human body after death. He works with a mixture of new and old media. Recent creative work involves developing complex slide installations or video projection works using multi layered screens in pieces that reflect an interest in the brain as an ever-changing vital organ and the 'self' as in part a construct informed by new contemporary scientific imaging. Work previously based around collaborating with developmental neurologists to explore concepts of the growing nervous system has moved on to encompass an interest in sequential photography and its link to scientific work. He has taught at the Winchester School of Art, part of Southampton University England since 1991. His transforming projection pieces have been exhibited extensively, both nationally and internationally, and he is represented in collections in England, Germany, and the United States.

Recent projects include: 'Slices and Snapshots', 2004, show at the Stanley Picker Gallery, Kingston University. Based on the sequential photography of Eadweard Muybridge and chronophotography in contemporary neuro-science three new works were shown 'Eye: Through the Mirror Darkly', 'Slice' and 'Snapshots'. Funded by a fellowship from the Stanley Picker Foundation. 'Things Happen', 2005, a time-based piece on genetic diseases made for the Mendel Museum, Abbey Of St Thomas, Brno, Czech Republic, for the show 'Genes And Genius'. More recently, 2008-2009 he has worked with Temporal Lobe Epilepsy sufferers and clinicians making a piece called Seized: Out of this World. This work has been shown to great effect and the Epilepsy society of Great Britain now want to use the work to heighten the publics awareness of the condition through knowledge transfer.

Several projects have been funded by the Arts Council England, two others by the Wellcome Trust, London, one by the Gulbenkian Foundation and one by the Arts and Humanities Research Council England.

Recent notable exhibitions include work being shown in the Science Museum London, the Natural History Museum Rotterdam, Design Museum Zurich and the Exit Art in New York. Significant recent publications on art and science collaborations have incorporated sections on his work including Sian Ede’s ‘Art and Science’, ‘Visual Culture and Bioscience’ edited by Suzanne Anker and 'Invisible Vision: Could Science learn from the Arts?’ by Sabine E. Wildevuur.

BIOGRAPHY

ANDREW CARNIE was born in 1957. He studied chemistry and painting at Warren Wilson College, North Carolina, then zoology and psychology at Durham University, before starting and finishing a degree in Fine Art at Goldsmiths College, London. Andrew then completed his Masters degree in the Painting School, at the Royal College of Art.

Since then Andrew has continued working primarily as a studio based artist, running other ventures alongside his practise, like the Carnie Chaple Gallery, the Tram Depot Gallery, and working as a consultant for Greater London Arts. Currently he is very involved in the Art and Mind Festival and other ventures in Winchester while continuing with his own practise, which is primarily in time based work, themed around various scientific topics, he also likes to work with a groups on art based projects, and is teaching regularly at the Winchester School of Art, which he has done since 1991.

His work is very varied, from painting, sculpture and photography to installation work, and has been exhibited in the, Whitechaple Open in 1987, 1989, and 1994, the John Moores 16 Exhibition, Liverpool 1989, Sommerattelier, Hanover 1990, Clara Maria Sels Gallery, Dusseldorf 1990, Wits End an Ikon, Birmingham, Touring show in 1992, the 5th Mostyn Open, Llandudno, Wales 1994, Feering 5, Colchester 1994, A Cut Edge, Hackney, London 1997, Small Is Beautiful Part XV11, Flowers East, London 1999, Art And Architecture, at the British Airways Headquarters, Waterside, London 2000, Urban Shores, Installation, Dash Gallery, Tower Hamlets, London, 2000, Joining In , Winchester Gallery, 2000, Silent Motion at the Picker gallery, Kingston, Head On at the Science Museum in London 2002, Hygiene, at the School of Hygiene and Tropical Medicine, London in 2002, and Mensbeeld, Natuurmuseum, Rotterdam, Oct 2003, Simply-Complex at the Design Museum Zurich, 2005, Neuroculture at the Westport Art Centre, USA in 2006, and Filament at the London Print Studio, Sept 2006.

Andrew has had the following one person shows, Vista Angela Flowers , London 1987, Under Canvas, Giray Gallery 1988, Sculpture, Winchester Gallery, 1992, Grand Tour, Bracknell Gallery 1993, Souvenir, Plymouth Art Centre 1993, New Floor Sculptures, Tram Depot , London 1994, Walk-walk Tram Depot Gallery, London spring 1995, Organic Tram Depot Gallery, London summer 1995, Betwixt and Between Tram Depot Gallery, London 1995, Return Journey 1997 Columbus University Gallery, Georgia, Fit to Travel Tram Depot Gallery, London 1998, Travelogue, Flemming Gallery, Thorpe, Surrey, 1999, and Embark, Millais Gallery , Southampton, 2002, Disperse, Amnesty International Headquarters, London, 2002, and 451, Winchester Gallery, Winchester, Hampshire, 2004

His work is represented in collections in England, Germany, and America. Increasingly he talks about his collaborations with scientists and recently he was a key note speaker at the SLSA conference in Amsterdam, and completed a web radio show for PS 1 in New York.

His recent projects include:-

2002. Head On, a show at the Science Museum on neurology, produced in collaboration with Welcome Foundation. For this Andrew produced a number of pieces of work centred around memory, the brain, and neuroscience, while working with neuro-scientists at the Medical Research Centre for Developmental Neurobiology, Kings College, London. The final work Magic Forest was shown at the Science Museum in March 2002, at the Rotterdam Film Festival, Rotterdam, Holland, 2003 and at the Natuurmuseum, Rotterdam, a show called Mensbeeld, in 2004, in Simply Complex at the Design Museum in Zurich in 2005, and in Neuroculture, at the Westport Art Centre in Connecticut, USA in 2006.

2002. Alight. As part of the group of four artists making up the company No Limits, Andrew made a multi-media work, using a fifty meter by four meter tall screen and moving video projector. The work based on the notions of arrival and departure from Londons Dock-lands, was shown at the Royal Victoria Dock in April 2002.

2002. Embark, at the Millais Gallery, Southampton. A one-person show at the Millais Gallery, a first chance for Andrew to show the large paintings from 1998-2000, alongside a survey of travel work from 1990 onwards.

2002. Disperse, a work made for the School of Hygiene and Tropical Medicine, London, in 2002. Disperse is a work that explores removal, It relates to thoughts about the departure of the human body at death. The work looks at processes of how the body might be physically dispersed; be rendered back to atomic particles. This work was shown again at the Headquarters of Amnesty International, London.

2003. Complex Brain:Spreading Arbor, Andrew worked on a joint project with the neurologist Dr Richard Wingate, of Kings College, London. Together they created a time based video work, called Complex Brain:Spreading Arbor, based on the development and changes in the growing brain; looking specifically at the migration of neurones. This current work is funded by a Wellcome Trust, Medicine In Society Award.

2004. 451 at the Winchester Gallery was the first chance for Andrew to show a collection of time based slide dissolve works base on the transitory life of objects and the body. He showed the works Disperse, Calcium Caving and 451.

2004. Spreading Arbour, British Association Festival Of Science, Exeter. First showing of this large video work using two video projectors circling around an 8 meter circular screen in opposite directions. Plus exhibited Magic Forest and Calcium Caving.

2004.Slices and Snapshots , [Oct-Nov], show as Stanley Picker Fellow, Kingston University. Based on the sequential photography of Eadweard Muybridge and chronophotography in contemporary neuro-science three new works were shown Eye: Through The Mirror Darkly, Slice and Snapshots. Catalogue/Paper, Arts Council Funded.

2005. Things Happen, a time-based piece on genetic diseases for Genes And Genius, Mendel Museum, Abbey Of St Thomas, Brno, Czech Republic.

2006. We Are Where We Are. With Arts Council Funding and linked with architects and scientists Andrew developed the work WAWWA, an examination of the architecture of the body for exhibition in March 2006 at the Art and Mind Festival, Space Architecture and the Mind.

2007. Magic Forest, a permanent static version of the time-based piece, a work for the Wellcome Trust Headquarters, Euston Road, London,

Forthcoming projects:-
Andrews forthcoming projects include working on a three year project with a philosopher, an anthropologist and a Heart Transplant Team, on a project called A Change Of Heart, funded by the Calouste Gulbenkian Foundation, then working with the Neuropsychologist, Paul Broks, of Plymouth University, on Temporal Lobe Epilepsy to produce an installation work and possible book. and on a permanent work for the Wellcome Trust Headquarters.

EDUCATION

1979 - 1982 BA. COMPLETED WITH FIRST CLASS HONOURS DEGREE IN FINE ART GOLDSMITHS SCHOOL OF ART, LONDON.
1983 - 1986 MASTER OF ARTS IN PAINTING, COMPLETED AT THE ROYAL COLLEGE OF ART, LONDON.
2003 - 2004 STANLEY PICKER FELLOW, KINGSTON UNIVERSITY, LONDON.

REPRESENTATION

CARNIE ART SERVICE
11 CITY ROAD
WINCHESTER
SO23 8SD

SOLO EXHIBITS

ONE PERSON EXHIBITIONS

1985 SEEING IS BELIEVING, CARNIE CHAPLE GALLERY, LONDON.
1987 VISTA, ANGELA FLOWERS GALLERY, LONDON.
NEW WORK, WILMER, CUTLER & PICKERING, LONDON.
1988 PROJECTIONS, ZANZIBAR CLUB, LONDON.
UNDER CANVAS, GIRAY GALLERY, LONDON.
1990 MIX, SOMMERATELIER, HANOVER, WEST GERMANY [residency and one-person show].
1991 TRAVEL, TRAM STUDIOS, LONDON.
1992 WINCHESTER ART GALLERY, WINCHESTER, HAMPSHIRE, [catalogue].
1993 BRACKNELL GALLERY, SOUTHILL PARK, BRACKNELL.
MOVE ON, PLYMOUTH ART CENTRE, PLYMOUTH.
1994 NEW FLOOR SCULPTURE, TRAM DEPOT STUDIOS, LONDON [July].
1995 WALK-WALK, PHOTOGRAPHIC WORK, TRAM DEPOT GALLERY, LONDON, [April].
ORGANIC, TRAM DEPOT GALLERY, LONDON, [September].
1996 RECOVER, TRAM DEPOT GALLERY, LONDON, [September].
1997 GRAND TOUR, COLUMBUS, GEORGIA, USA, [February].
PASSAGE, HIDDEN ART OF HACKNEY, HACKNEY, [Nov to Dec].
1998 FIT TO TRAVEL, TRAM DEPOT GALLERY, LONDON, [May, part of the Whitechaple Open].
1999 TRAVELOGUE, FLEMING GALLERY, TASIS, THORPE, SURREY, [April to May]
2002 EMBARK, MILLAIS GALLERY, SOUTHAMPTON, [April to May].
2003 DISPERSE, AMNESTY INTERNATIONAL HEADQUARTERS, LONDON. [Nov].
2004 451, WINCHESTER GALLERY, WINCHESTER, HAMPSHIRE, [January].
COMPLEX BRAIN, BRITISH ASSOCIATION SCIENCE FESTIVAL, EXETER, [September].
SLICES AND SNAPSHOTS, STANLEY PICKER GALLERY, KINGSTON, LONDON, [Oct-Nov].
2005 TIMELINE, THE CAPITOL, HORSHAM, SUSSEX, [JUNE].
2006 WE ARE WHERE WE ARE, ART AND MIND FESTIVAL, WINCHESTER, [March].

GROUP EXHIBITS

1978 COLLINGWOOD COLLEGE GALLERY, DURHAM.
1982 INSTALLATION, DEGREE SHOW, GOLDSMITHS, LONDON.
1983 CHARTERHOUSE GALLERY, LONDON.
YOUNG BLOOD, RIVERSIDE STUDIO GALLERY, LONDON, [mixed show].
1984 BLUECOAT GALLERY, LONDON, [mixed show].
1985 CARNIE CHAPLE GALLERY, LONDON, [two person show].
1986 THE LONDON CONTEMPORARY ART FAIR, LONDON, [two person show in the fair].
DEGREE SHOW, ROYAL COLLEGE OF ART, LONDON.
DRAWINGS, ARTWORKS GALLERY, EARLS COURT, LONDON.
CONTEMPORARY ART SOCIETY EXHIBITION, LONDON.
1987 DRAWINGS, ARTWORKS GALLERY, EARLS COURT, LONDON.
WHITECHAPEL OPEN, LONDON.
ART AFTER HOURS, LIMELIGHT, LONDON.
1988 WHITECHAPEL OPEN, LONDON.
THE LONDON CONTEMPORARY ART FAIR, ISLINGTON, LONDON.
ART AFTER HOURS, ZANZIBAR, LONDON.
1989 JOHN MOORES 16 EXHIBITION, LIVERPOOL.
CARNIE CHAPLE STUDIO SHOW, LONDON [two person show].
RECENT ACQUISITIONS, UNILEVER HOUSE, BLACKFRIARS, LONDON, [Nov].
1990 CLARA MARIA SELS GALLERY, DUSSELDORF, WEST GERMANY.
ART WORK, WHITECHAPEL AT BROADGATE, EXHIBITION, LONDON [Oct].
1991 TRAM STUDIOS EXHIBITION, LONDON, E5, [one-person show in studio exhibition].
FLOTSAM & JETSAM, G10 SPACE, TOBACCO DOCK, WAPPING, LONDON.
1992 WITS END, IKON TOURING EXHIBITION, BIRMINGHAM.
TRAM STUDIOS EXHIBITION, LONDON, E5.
1993 INTERNATIONAL SPRING FAIR, NEC BIRMINGHAM, [with Carlton International].
Continuation from January of SOUTHERN ARTS TOURING EXHIBITION. [Bournemouth & Luton].
Continuation of WITS END, IKON TOURING EXHIBITION, BIRMINGHAM,[Halesowen College Gallery, Halesowen, Solihull College Gallery, Birmingham].
ARTISTS BOOK FAIR, QUEEN ELIZABETH HALL, SOUTH BANK CNT, LONDON.
TRAM STUDIOS EXHIBITION, LONDON, [June].
1994 5th MOSTYN OPEN SHOW, ORIEL MOSTYN GALLERY, LLANDUDNO, WALES.
PRODUCED SET, FOR COME IN THE WATERS LOVELY, PERFORMED BY THE iDC DANCE
COMPANY AT SOUTH BANK CENTRE, LONDON.[South Bank funded].
WHITECHAPEL OPEN EXHIBITION, WHITECHAPEL GALLERY, LONDON, [6 May -26 June].
CLUTCH, work made for FEERINGBURY V, FEERING, COLCHESTER, ESSEX, [May]
WHITECHAPEL OPEN STUDIO EXHIBITION, LONDON, [May].
TWINS, photographic work made for EXHIBITION space, TRAM DEPOT GALLERY, [July].
A CUT EDGE, ASSEMBLY ROOMS, LONDON, HACKNEY ARTS FESTIVAL, [3 person show, July].
1997 HIDDEN ART OF HACKNEY, TRAM DEPOT GALLERY, LONDON, [Nov to Dec].
1998 PLASTICITY, THE PEAR ROOM, HECKLINGTON, LINCOLNSHIRE, [January ].
BIOCHEMISTRY, SUN and DOVES GALLERY, CAMBERWELL, LONDON, [4 person show, Feb to April].
FOOD, SUN and DOVES GALLERY, CAMBERWELL, LONDON, [8 person show, July to Sept].
MUSIC, SMALL IS BEAUTIFUL Part XV1, FLOWERS EAST, LONDON, [December].
SMALL WORKS, COLVILLE PLACE GALLERY FOR DIGITAL ART, LONDON, W1, [December].
1999 SUMMER SHOW, SUN and DOVES GALLERY, CAMBERWELL, LONDON, [June to August].
HACKNEY AUTUMN FESTIVAL, ROUND CHAPLE, HACKNEY, LONDON, [Sept].
MILLENNIUM, SMALL IS BEAUTIFUL Part XV11, FLOWERS EAST, LONDON, [December].
IMPORT/EXPORT, VIRGIN BUILDING, HEATHROW AIRPORT, [2 person show, Dec to March 2000].
2000 ART and ARCHITECTURE, BRITISH AIRWAYS, HEADQUARTERS, WATERSIDE, LONDON, [April].
CARGO, BRITISH AIRWAYS, HEATHROW AIRPORT, LONDON, [April].
DEPARTURES, VIRGIN TERMINAL 3, HEATHROW AIRPORT, LONDON [April].
COMPASS, BRITISH AIRWAYS, HEATHROW AIRPORT, LONDON, [April].
JOURNEYS, PEARSON GROUP HEADQUARTERS, [LONGMAN PUBLISHING], WOKINGHAM, [May].
ART FOR OFFICES GALLERY, DOCK STREET, LONDON, [May].
URBAN SHORES, INSTALLATION, DASH GALLERY, TOWER HAMLETS, LONDON, [July].
SMITH KLEIN BEECHAM, HEADQUARTERS, LONDON. [June].
NEW TECHNOLOGY, CABLE AND WIRELESS HEADQUARTERS, HOLBORN, LONDON, [Sept to Dec].
SELF PORTRAIT, SMALL IS BEAUTIFUL, FLOWERS EAST, LONDON, [December].
2001 JOINING IN, WINCHESTER ART GALLERY, WINCHESTER, HAMPSHIRE, [Feb, catalogue].
SILENT MOTION, [MUYBRIDGE], KINGSTON UNIVERSITY, KINGSTON, LONDON, [May, 6 page review in Artists Rev]
JOINING IN, THE CENTRE, SLOUGH.
SCULPTURE IN THE PARK, MILE END PARK, LONDON [June to Oct].
SILENT MOTION, COLVILLE PLACE GALLERY, LONDON, [June, catalogue].
2002 HEAD ON, SCIENCE MUSEUM, WITH THE WELLCOME TRUST, LONDON, [May to August, catalogue].
ALIGHT, ROYAL VICTORIA DOCK, LONDON. [April].
HYGIENE, LONDON SCHOOL OF HYGIENE AND TROPICAL MEDICINE, LONDON, [May, catalogue].
SORTIE, PRUDENTIAL HEAD QUARTERS, LONDON, [June].
FRANKFURT ART FAIR, [WITH COLVILLE PLACE GALLERY, LONDON], FRANKFURT,
GERMANY, [May].
ALIGHT EXHIBITION, STRATFORD CIRCUS SPACE, STRATFORD LONDON, [June].
2003 STATIC, GALLERY TENT, ROTTERDAM, [Jan-Feb, part of IFFR, International Film Festival Rotterdam]
DRAWING WITH LIGHT, KINGSTON UNIVERSITY, LONDON, [Jan-Feb].
DRAWING THE PROCESS, [Touring Show, Loughborough University Gallery, Birmingham City Art Gallery, The Chapel Gallery, St Helens, The Hot Bath Gallery, Bath, The Clifford Fisher Gallery, Exeter].
PLAN ART, BAKER and McKENZIE, LONDON.[March].
MENSBEELD, NATUURMUSEUM, ROTTERDAM, [Oct 2003].
SCULPTURES IN THE OUTBACK, REVERIES GALLERY, MAIDEN GULLY, AUSTRALIA, [Oct].
2004 MENSBEELD, NATUURMUSEUM, ROTTERDAM, [-April 2004].
SELF-ISH, SCICULT GALLERY, LONDON, [March-April].
REFRESH, SUN and DOVES GALLERY, CAMBERWELL, LONDON, [May-June].
OUTDOOR SCULPTURE, HUTTON LE ROOF, CUMBRIA, [May-July].
SELF-ISH, VICTORIA AND ALBERT MUSEUM, EXETER, [September].
2005 EINFACH COMPLEX, DESIGN MUSEUM, ZURICH, SWITZERLAND, [May].
2006 NEUROCULTURE, WESPORT ART CENTRE, CONNECTICUT, USA, [April-May].
2007 EYE OF THE BEHOLDER, PHILOCETTES, MULTI DISCEPLINARY CNT FOR THE IMAGINATION, 247 EAST 82 ND STREET NEW YORK, USA, [April- June]

ARTICLES

PRESS, TEACHING AND TALKS

WINCHESTER SCHOOL OF ART, FOUNDATION COURSE, WINCHESTER, [teach sculpture, painting,
& time-based, 2 days a week through 1991 to 2002 ].
WINCHESTER SCHOOL OF ART, TEXTILES ART COURSE, BA Level, WINCHESTER.
GOLDSMITHS SCHOOL OF ART, LONDON, [teaching days].
LEWISHAM ADULT EDUCATION, MORNINGTON CENTRE, LEWISHAM. [foundation sculpture course]
WHITECHAPEL OPEN, WHITECHAPEL ART GALLERY, LONDON, [gallery talk].
KINGSTON UNIVERSITY, LONDON, [teaching days].
BULMERSHE COLLEGE, READING, [lecture].
MICHAEL CRAIG MARTIN, WHITECHAPEL ART GALLERY, LONDON, [gallery talk].
TATE GALLERY DISCUSSIONS, LONDON.
ACADEMY BOOK TALKS, LONDON.
CAMDEN ART CENTRE, LONDON, [ran workshops].
SCHOOL WORKSHOPS, [all age groups, primary to sixth form, Buckingham, Milton Keynes, Reading, etc.].
TALK THE GRAND TOUR, FOR TRANSFERRING THE MEANING, SBTES, CLORE AUDITORIUM, TATE
GALLERY, LONDON.
WORKSHOPS, COLUMBUS STATE UNIVERSITY, COLUMBUS, GEORGIA, USA.
TALK TOUR, COLUMBUS STATE UNIVERSITY, COLUMBUS, GEORGIA, USA.
TRAVELOGUE, WINCHESTER SCHOOL OF ART, 1998.
TRAVELOGUE, TASIS AMERICAN COLLEGE, FARNHAM, SURREY, 1999.
HEAD ON, WORKSHOP, WELLCOME TRUST, EUSTON ROAD, LONDON, 2001.
EMBARK, SOUTHAMPTON INSTITUTE, SOUTHAMPTON, 2002.
HEAD ON, SCIENCE MUSEUM, LONDON, 2002.
OBSERVER ON SUNDAY, SCIENTISTS AND ARTISTS MUST RUB SHOULDERS, ARTS REVIEW,
17 MARCH 2002, THE OBSERVER REVIEW.
BETWEEN SCIENCE AND ART. BBC WORLD SERVICE. "VIA LIBRE". SCIENCE LINKS, RADIO PROGRAM.
MAGIC FOREST, REVIEWED IN NATURE.
ART, CREATIVITY, SCIENCE AND MADNESS, NAKED SCIENCE, SCIENCE MUSEUM,
LONDON, MAY 2002
TOUR, TALK AT MILLAIS GALLERY, SOUTHAMPTON, [May, 2002].
GALLERY GO TALK, SOUTHAMPTON INSTITUTE, SOUTHAMPTON, [May, 2002].
PRESENT TRAVELS, PRUDENTIAL, LONDON, [AUGUST, 2002].
451, GALLERY GO TALK, WINCHESTER GALLERY, WINCHESTER, [Jan 2004].
EXCITING DRAWING, THE WORK OF SANTIAGO RAMON Y CAHAL, KINGSTON UNIVERSITY, LONDON, [Jan 2004].
ARTS AND SCIENCE, BRIEFING DOCUMENT, ARTS COUNCIL 2004
SLICES AND SNAPSHOTS, KINGSTON UNIVERSITY, LONDON, [Jan 2004].
LANCET, [March 2004].
MUYBRIDGE SYMPOSIUM, KINGSTON, [ Nov 2004].
IN CONVERSATION KINGSTON UNIVERSITY, LONDON, [OCT 2004].
THIRD CULTURE, SEED MAGAZINE, BIENNIAL SPECIAL, [OCT 2004].
WORK IN PROGRESS WITH RICHARD WINGATE, OXFORD UNIVERSITY, [MARCH 2005].
TRYPTYCH RECENT FEATURE IN LA REPUBLICAS D-MAGAZINE, ITALY, [2005].
INSIGHT MAGAZINE, MANCHESTER, [2005].
MAGIC FOREST, FEATURE IN ITALIAN VOGUE, [MARCH 2005].
FEATURED ARTIST, FOTONETSOUTH WEB SITE, [MARCH-APRIL 2005].
MULTIPLE VISIONS, ART AND NEUROSCIENCE FROM TURNER TO THE PRESENT, TALK TO THE ART HISTORY DEPT, OXFORD UNIVERSITY, OXFORD, [MARCH 2005].
FROM SCIENCE IN ART TO THE ART OF SCIENCE, NATURE, [17TH MARCH 2005].

OTHER INFO

FORTHCOMING SHOWS

SPREADING ARBOR, KINGS COLLEGE, LONDON, [March].
GENES AND GENIUS, SCIENCE MUSEUM, LONDON, [FEB], MENDEL MUSEUM, (ABBEY OF ST THOMAS), BRNO, CZECH, REPUBLIC PRODUCTION OF WORK FOR THE PERMANENT GALLERIES AT THE WELLCOME TRUST
ESOF, MUNICH, GEMANY
SCIENCE OXFORD, OXFORD

SCHOOL INFO

1983 - 1986, Goldsmiths College, University of London
1983 - 1986, Royal Academy School of Art