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| Marcus Anderson |
| myartspace id:MarcusKwame |
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| BIOGRAPHY: |
| I am an artist and art teacher from Albany NY. I make paintings, drawings, comics, poems, music, and whatever else moves me. I'm not very fond of bios. My art is my bio. |
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| Roy Boobyer |
| myartspace id:royboobyer |
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| BIOGRAPHY: |
| Most of my artistic career has been orientated to the Graphics Industry,though I have created much art that has been to satisfy my deeper creative impulses.Much of this work is now in private collections. Prints of my work can be purchased online. |
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| Patricia Tinajero |
| myartspace id:ptinajero |
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| BIOGRAPHY: |
| I was born in Quito, Ecuador. I have lived in the United States for the last ten years. The territorial size of the Unite States with it diversity in geography and culture has profoundly impact my art practice, especially the western mountains of Colorado which brings nostalgic memories of my homeland range. I grew up at the base of an 18.000-ft. mountain surrounded by snow-capped volcanoes in a dense urban city, Quito. |
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| Crystal Cotton |
| myartspace id:falame11 |
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| Kathleen King |
| myartspace id:tips2kitty |
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| Kathleen King
1808 West Wabansia Ave.
Chicago, IL. 60622
kingkathleen@sbcglobal,net
www.uturn.org/King/index.htm
Present teaching positions:
Adjunct Professor, Fine Art Department, Loyola University, Chicago,IL. USA
Visiting Adjunct Professor, Art Education Dept. Korea University, Seoul, South Korea.
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| Lisa Michot |
| myartspace id:lisamouse |
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| BIOGRAPHY: |
| Lisa Michot was born and raised in Lafayette, Louisiana and now resides in Lafayette, Colorado. She recieved her BFA from Louisiana Tech University and her MFA from Brooklyn College in New York. She also attended the Skowhegan School of Painting and Sculpture in Maine. She has been an artist-in- residence at Altos de Chavon in the Dominican Republic; the Atlantic Center for the Arts in New Smyrna Beach, Floriada; and PlatteForum in Denver, Colorado. She currently teaches art courses at Front Range Community College in Westminster and Longmont, Colorado. |
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| rob wolpert |
| myartspace id:rjw3 |
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| Gareth Lyon |
| myartspace id:fallenwattle |
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| Bill Patterson |
| myartspace id:Wendyclear43 |
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| mark hollenbeck |
| myartspace id:mholl |
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| ali herrmann |
| myartspace id:aliherrmann |
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| Elliott Turner II |
| myartspace id:RiseUp |
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| Born in San Antonio in 1981 Elliott Turner II came in to this world with a loving middle class military family. At a young age Elliott showed a heighten sensitivity to the would around him. With positive reinforcement from his parents began to explorer drawing witch opened the door for him to try new techniques and materials. In middle school and high school Elliott was blessed with teachers the recognized his talent and pushed him to improve and hold him self at a higher stander. While in collage it was his professors how opened his mind to even further possibilities. Harvey L. Johnson, Doctor Wardlaw curator the MFA in Houston, and lemand Green. After having different shows Elliott is now in Oakland CA perusing his art carrier. |
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| Sabrina Ortolani |
| myartspace id:sabrina |
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| James Abbott |
| myartspace id:jamespabbott |
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| I always admire the strength of the women who work with me to create art that features not only their beauty and intensity, but also their power, energy and courage. I make images of strong naked women because there is nothing else in the world that I like as much. It’s not even close.
Spent too long allowing art to be secondary in my daily life. It has been front and center for the last five years, although my production started much earlier. |
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| Christian Tribastone |
| myartspace id:Tribascb |
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| Frank Johannes |
| myartspace id:frankjohannes |
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| born in 1969 Johannes Johannes started in commercial photography.
Working in Germany, London and Bern/CH he returned to his hometown Nuernberg/Germany in 2000
but he is still working all over Europe ... |
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| Karen O'Neil |
| myartspace id:Oakwdsch |
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| James Brand |
| myartspace id:jambr1234 |
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| Tiffany Blake Stone |
| myartspace id:tiffanyblakestone |
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| Tiffany Blake Stone has had a love of all things artistic since childhood, when her mother took her to all sorts of exhibitions and performances. She loved to go over to her grandmother's house and raid the activity cabinet designated hers and filled with crayons and markers and scissors and glue and all sorts of papers.
Stone graduated with a BFA in Studio Art from Shorter College in Rome, Georgia. She originally entered as a Psychology major but changed her major when she realized that all those "you-can't-survive-with-a-degree-in-art" rumors weren't true. Her most rewarding experiences have been working with artists to set up exhibition spaces and curating shows to help promote local talent.
After spending 21 years in southern suburbia, Stone wanted to see more of the world and has since lived in New England, Europe, California and now Atlanta with her amour, Amar, and their two dogs. She enjoys all forms of creativity, including cooking, dance and music, but her passion is painting, which materializes on canvas and through makeup artistry.
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| Lindsay O'Neal |
| myartspace id:lolu |
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| Sam Moseley |
| myartspace id:SamMoseley |
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| I am a UK based Fine Art student interested in ideas surrounding masculinity, sexuality and illness. I enjoy working in a variety of media, I am hoping to establish contacts within the industry, inspirational people and potential clients.
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| Brigitte Hintner |
| myartspace id:Brischit |
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| BIOGRAPHY: |
| Born in Schwaz / the Tyrol / Austria and grew up in a quite creative family. At the age of 8 , my father , himself a very accomplished artist, started my artistic education . He introduced me to some drawing techniques and to see details others cannot see ! all my knowledge about art was passed on to me from my father. But it is indisputable, that my artistic talent, inheritedfrom my father, is an natural talent that 's very rare. So I was told.
I've been a professional full-time artist since 1986 who is working to create a large and valued body of work in my life time.
My tools of the trade:
DREAMS - REALITY - IMAGINATION - EMOTIONS
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| Christina Gyulafia |
| myartspace id:cmig |
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| Christina Gyulafia has found beauty in death. Her way of seeing life after death as a new beginning that creates change is the root of her inspiration. She looks to painting as a visual language where the image is just a tool; through practice she has captured the vulnerability of living beings.
We experience life going from illusionment to a drive for knowledge and discovery growing and growing into a state of abundance resulting in neo-illusionment. It is the feeling rather than logic of growing that Gyulafia works with. By selecting a smaller canvas she invites the viewer into an intimate space where they are allowed to feel the works up close.
In this family of work each piece carries with it a place in emotional study that conveys a moment in time. We come from different places, have separate identities. Be it mundane or overwhelming synchronicity the pieces mysteriously give back to the viewer saying "I love you get away from me" and "I love you stay".
Art needs to be seen, but for many process and invention is private. There is a process in Gyulafia's work magnifying the core, ripping out the heart and sometimes dancing. In these small works we are not given the opportunity to forget.
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| John Robertson |
| myartspace id:Artbite |
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| Rachel Evans |
| myartspace id:RachelE |
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| Rachel Evans was raised in Marietta Georgia. She received a Bachelors degree in Art with a Psychology minor from Auburn University in 2007. She has an extensive background in art education, working and volunteering at the Jan Dempsey Community Arts Center in Auburn Alabama, Children’s Hospital in Birmingham Alabama, the Cobb County Georgia Public School System, and the VSA Arts organizations of both Alabama and Georgia. Rachel draws inspiration for her paintings from the women in her life specifically family members as well as female political leaders and social figures. Currently, Rachel lives in Atlanta, GA, where she is interning at the Aliya Linstrum Gallery and applying to graduate schools. She hopes to earn her M.F.A. in painting to someday continue on a career of teaching as a college professor. |
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| Rosalyn Waters |
| myartspace id:rosalyn |
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| pat lewis |
| myartspace id:SciFiPat |
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| I started painting when I was sixteen and was very inspired by the pre-raphealites. I spent alot of time in the Worcester Art Museum, and Boston Museum in Massachusetts. My outside interests included Astronomy and Science Fiction so it was a natural progression to take into painting this subject matter.
I started to work at a planetarium, and did alot of work for other planetariums ie: Fitchburg, MA - Baltimore - Washngton - Philadelphia. I also started to exhibit at regional and world Science Fiction Conventions where I made contacts into the publishing industry. From there I have done alot of book, magazine and trading card illustration in that genre.
I am featured in "Dark Dreamers" facing the masters of fear by Beth Gwinn and Stan Wiater. This book features the likes of Stephen King, Ray Bradbury, Clive Barker,H.R. Giger, Christopher Lee, John Carpenter, Wes Craven and Stan Winston.
I will also be featured in "The encylopedia of science fiction" compiled by Jane Frank of Worlds of Wonder. |
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| Spencer Hildie |
| myartspace id:hildspe10 |
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| Geoff Mitchell |
| myartspace id:geoffmitchell |
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| Los Angeles based artist Geoff Mitchell utilizes a wide variety of artistic media and techniques - painting, printmaking, photo-transfer, collage, film and video installation - to create images which transcend the meaning of their individual components, and describe and define a larger experience.
"Mitchell's montage method concerns itself with the accretion of meaning - not just the build up of information, but the generation of new, amplified and modulated sensation. Mitchell's heraldic compositions gain their strength and tension not from the drama inherent in their elements, but from the new drama that emerges from their juxtaposition," writes Peter Frank, curator at the Riverside Museum in Los Angeles and prominent art critic.
Mitchell works exclusively on wood panel, a format which allows him to compose exquisitely smooth and luminous surfaces. Each composition is meticulously and carefully crafted in order to ignite the viewer's imagination, while bearing witness to Mitchell's mastery of his artistic techniques.
Geoff Mitchell has exhibited widely throughout the United States since 1996, and was featured in the Bill Lowe Gallery Atlanta's group exhibition held in March 2007. He has participated in numerous film festivals, and is the recipient of several art awards, including the ATC Curator's Choice Award in Chiago. |
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| Anies Skelac |
| myartspace id:Astro-riba |
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| Aprilia Kartini Streit |
| myartspace id:apriliacantik |
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| Rick Poole |
| myartspace id:rpoole |
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| Alex Moomey |
| myartspace id:alexmoomey |
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| Sue Danielson |
| myartspace id:suedanielson |
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| Casey Leatzow |
| myartspace id:leatzowc88 |
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| Hello, I'm Casey from Wisconsin. I obviously love art more than anything, and I plan to have it a part of my life as long as I live! Every year I get more and more passionate about my art, even though I'm not quite sure what medium or style I like yet, I love experimenting with them, and trying new ones. |
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| Darrell Emile |
| myartspace id:darrellemiedia |
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| Danny Powell |
| myartspace id:yalta |
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| Danny Powell is a rising Chicago artist who is known for his artistic expressions that draw from his deep roots in philosophy, psychology, world history, and symbolism. Powell believes that "Art cannot be taught, it is something that exposes itself to those that are willing and able to encounter and embrace it…that art is about commitment and not formal training.”
Powell's work is intuitive, fiery and expressive, involving bold and unusual color combinations, and blends abstraction and realism. His paintings integrate flowing water based mediums, like india ink and acrylic paint, with dry mediums, like charcoal and pastel, the combination of which solicits a wide range of emotional responses from the viewer.
He studied at The School of the Art Institute of Chicago in the late 1990s where he benefited from viewing the museum’s collection on a daily basis. It was here he developed a strong interest in painting from the 1940s and 1950s, which became critical in his development as a painter. An encounter with the painting "The Earth is a Man" by Roberto Matta changed his direction entirely. In 1999, his emphasis shifted from portraiture and figure drawing to non-objective abstraction.
Powell's art presents a distinctive visual reality that blends different styles such as Fauvism, Surrealism, and Abstract Expressionism, with elements of Pop and Arte Povera. The work is painterly, organic, and features bright color, with all-over spaced compostitions. One example of this synthesis is a work titled "The Dangerous Limit" created in the summer of 2001. He usually paints at night, (studio photos) when the energy feels right under artificial light or with candles. The abstract work is meant to be experienced on a subconscious, visceral level, and connect the viewer to possible buried emotions. It is not literal and does not attempt to appear rational. Powell’s painting is alive and pulsating, mysterious, paralleling his perception of life.
In 2006, Danny co-founded the Chicago based artist collective known as the Infidel Group with the poet Jono Tosch (creator of the Idiot Hero). The goal of the group is uniting Chicago's artists and public through laid-back exhibitions in comfortable alternative spaces. The group members work collaboratively to put on unique events that feature artwork and live music in a welcoming and positive atmosphere. Infidel Group strives for rooted community based events, partnering with both local businesses, and community focused international organizations, to share the benefit of exposure. Modeled in the vein of art groups of the early 1900s such as Die Brücke, Infidel Group members share an enthusiasm for engagement, professionalism and balance amongst contemporary artists.
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| Vitaly Bakhvalov |
| myartspace id:speshal |
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| John Medina |
| myartspace id:Johnnylonesome |
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| srinivas mangipudi |
| myartspace id:srinivasmangipudi |
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| Kevin C. McCarthy |
| myartspace id:k-c-m-c |
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| vincent gregory |
| myartspace id:pinguinartista |
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| Shulamit Davidovicz |
| myartspace id:shulda |
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| Was born in 1947 in Poland,at the age of ten she came to Israel. |
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| ganesha shastri |
| myartspace id:shastrikgg |
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| margareta vidmar |
| myartspace id:mvidmar |
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| I was born in 1971. in Zagreb, Croatia. My initial interest in painting has started in 1992. At present I'm working as an art therapist with visually impaired children. In addition I'm actively participating in numerous ecological, social and therapeutic art projects and actions. I am a member of Croatian Art Association.
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| Alexey Yarygin |
| myartspace id:AlexeyYarygin |
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| Alexey Yarygin was born on August 15 , 1969 in Leningrad (St. Petersburg that time), Russia.
Artist, member of international Union of artists, poets, writers & musicians ( Union I )
Member of Artistic Association of Strasbourg (Associacion du Corbeau)
Member of International Federation of Artists (IFA)
He studied at the Leningrad State University (1986 – 1992) , graduated from
Saint Petersburg Academy of Contemporary Art , and participated in the master classes of Felix Volosenkov.
Yarygin’s work has been shown in 28 personal ( solo ) and many group exhibitions in Russia, Finland, Germany, England, Estonia, France, Luxembourg and the U.S.
His paintings are found in :
*Collection of State Museum Of Art , Republic Tatarstan , Kazan , Russia .
*Collection of State Museum of Art , Komsomolsk-na-Amure , Russia .
*Collection of Tver State Art Gallery , Russia .
*Collection of Museum of Nonconformist Art , St. Petersburg, Russia .
*Collection of Contemporary Art Gallery “ Aurora “ , Tver , Russia .
*Collection of The A.S. Popov Central Museum of Communications,
St. Petersburg, Russia.
*Collection of Diaghilev Art Center
*Mary Kay company collection ( Moscow ) .
*Collection of Jean Art Center , Seoul , Korea .
* Collection of “Vagabond dog” Art Center , St.Petersburg , Russia .
* Collection of “European Capital” Gallery , St.Petersburg , Russia .
* Collection of “Master-class” foundation , Russia .
*Collection of Association Du Corbeau, Strasbourg, France.
*Colection of "Henrietten-Stiftung" foundation, Hanover, Germany.
*Collection of Pushkin Culture Center, Luxembourg.
*private collections of Russia , Germany , Italy , Finland , England , Korea , Canada, France, Luxembourg & the US .
Please contact Yarygin by email or visit his website :
e-mail : yungoor@yandex.ru
website: : http://yungoor.narod.ru , phone : ( 812 ) 273-36-96 . + 7 – 911- 991-13-03
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| julie saul |
| myartspace id:juliesaul |
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| Tony Ribton |
| myartspace id:AntRibton |
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| Born in Cape Town, Ribton spent part of his child hood accompanying his father (a keen amateur wildlife photographer) on trips to various National Parks in Sourthern Africa. He is self-taught and after a few years in advertising he became a freelance illustrator working mainly for agencies, the Reader's Digest and various publishing houses.
He had his first exhibition in 1974 - Landscapes and Seascapes of the Cape and has had numerous one-man and joint exhibitions since then. In 1983 he became fascinated by the similarities of patterns in natural objects - in clouds, foam, rockfaces, bark, moss and plumage. He had a super-realist exhibiton on this theme in 1984. He specialised in portraiture from 1985 and has received several important private and public commissions. In 1993, following an enthusiastic response to his 'Black Eagle on Mountain Top' (the work went to Hong Kong after an exhibition at the Hout Bay Gallery), he turned to painting wildlife full time.
He has travelled extensively for accurate reference material through all the major game parks in South Africa. His work has been purchased by local, national and international buyers. He has also exhibited successfully at the Christie's Wildlife Auction in London. He believes that wildlife art has a vital role to play in raising awareness of the desperately precarious state of our natural environment and that its increasing popularity is connected with an often unconscious yearning for nature and the wilderness which is locked up within the soul of industrialised humanity. This was a phenomenon described most eloquently by the late Sir Laurens van der Post (with whom the artist corresponded). |
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| Robert, R. Ferguson |
| myartspace id:mentor |
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| Robert Ferguson took his first black and white serious photograph on a 4X5 Speed Graphic while a high school student at Mentor High School in Ohio in 1960. He sold his first photograph three years later to a national magazine thus launching a career of forty years-plus in one form of photography or another. His has produced photographs for magazines, newspapers, and wire services. He has won local, state and national awards for his work. He has lectured on the subject at Texas Christian University, University of Iowa, New Mexico State University, and the University of Texas at El Paso. He continues to be active in digital photography as well as the traditional film process. Recently, he joined Artwanted.com and has thoroughly enjoyed reviewing and seeing today's images from AW members from all over the world. "The impressive body of work in photography marches forward producing images, as demonstrated by AW's members both amateur and professional alike, that we could only dream about in the good old days." He said. He has been drawing and painting almost as long as he has produced photography. He studied fine arts at Youngstown State University where his work appeared in not only student shows but at the Cleveland Museum of Art and Butler Art Institute. He also did illustrations for newspapers, magazines and has sold thirty five paintings to individual collectors.
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| Scott Reuman |
| myartspace id:scottreuman |
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| Artist's Statement
We are all artists. The artist is there, awaiting release.
Two things — the hidden artist in all of us and a reverence for all things — guide me as woodworker, sculptor, painter, writer and even in previous lives (biomedical engineer and physicist). The materials I work with (wood, metal, stone and some synthetics) react to me just as I react to them, a reciprocity of reverence. If I see the beauty in a piece of wood, that beauty resonates, growing more magnificent. Wood may not “talk” back but it lets me know how to use it, how to show its best characteristics. These moments of communication are the photosynthesis of my art: the foundation energy that sustains me. Technique, that element somewhat akin to wisdom, comes only when the artist's soul is firmly attached to pen, brush, knife or chisel. Like great improvisational jazz, each brush or chisel stroke is another “note” waiting to be realized. This circle from artist to reverence to materials to tools and back to artist, is an infinite loop. Its driving energy may be the artist, or Mother Nature may be that engine since all elements of tools/artist/materials are hers. Ulysses said, “I am a part of all that I have known.” Quantum physics says the same. Does the artist create the art, or vice versa? When I work with wood, fabricating sculpture or furniture, I am just a tool of Nature holding a tool of steel, feeling my way into my heart and that of a tree.
Certain elements reappear in my work: flowing forms, curves, the contrast of mixed materials (stone and wood, wood and metal, etc.), river imagery and water. 40 years as kayaker and backpacker have certainly added their influence. Wild things, diversity, human insignificance in the universe, all serve as inspiration.
Some characteristic of the materials I work with often sparks an idea: weaving grain of wood, translucency of marble, topographic surfaces of bent metal, spectral colors of paints. The wood for a sideboard made of rare African muninga showed variations in tone that suggested changes in thickness, almost like shadow lines. The design evolved to emphasize those tonal changes. By cutting curves on the surface of otherwise straight pieces of wood, the
structure became both straight and curved, like the wood, and like the tree.
Another project evolved from familiarity with substance. I used to build kayaks from fiberglass. Resins used in fiberglass are translucent like the water on which those boats ride. In a spruce coffee table, tall lamp and door I built flowing inlay of glowing, blue resin — water floating in wood, a reversal of expectations.
My work, then, is born in the unconscious, heated in the forge of mind, fueled by a life of observation, and tempered by the heart. |
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