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| Saint Virgin Peter |
| myartspace id:SaintVirginPeter |
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| BIOGRAPHY: |
| more info at: http://www.SaintVirginPeter.com |
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| Natalie Green |
| myartspace id:natswild |
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| BIOGRAPHY: |
| Natalie Green was born in Montreal, Quebec and moved with her family to Nelson, British Columbia at the age of eight. She spent many camping trips with her family in the wilderness, where she developed an enduring interest in the natural world, particularly wild animals. She started drawing when she was very young, progressing to pastels and watercolor pencils; 10 years ago, she decided to try watercolors, and more recently expanded to acrylics. She has an extensive collection of original paintings available for sale, as well as giclee art cards. A number of paintings are available as limited edition giclee prints, some of which have made their way to Germany and England. In addition, there are prints available in her online gallery at www.imagekind.com. She also does commissions upon request.
She has her work in galleries in Fort Nelson, Fort St. John, Nelson, West Edmonton Mall, Red Deer, and two locations in Grande Prairie.
Natalie has donated two paintings, titled “Mohrr Gazelles-Sahar Oasis”, and “Leaving the Den-Pallas Cat” to Mountain View Conservation and Breeding Centre, to support their efforts to raise funds for the care, feeding, and eventual release of their animals back to their natural habitat. She has donated a painting to the Vancouver Zoo for fundraising purposes, as well as a painting to the Exotic Feline Breeding Compound in Rosamond, California. She is currently a member of the Rocky Mountain Elk Foundation, BC Wildlife Federation, and Ducks Unlimited, because she supports their conservation efforts. She donates her work to each of their fundraisers, as well as to fundraisers for organizations such as the PARDS Therapeutic Riding Association, the Alberta Conservation Association, and the Creston Wildlife Centre.
She has her works on a variety of different websites, such as Gallery-Worldwide, d'Art Fine Art Gallery, The Western Artist, Imagekind, Saatchi Gallery, Wild Art Link, Art Quest, Absolute Arts, and the Artists' Web.
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| Den Cops |
| myartspace id:Kyzer |
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| Ruggero Mantovani |
| myartspace id:ruggero |
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| BIOGRAPHY: |
| Born Verona, Italy, November 15th 1977 |
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| David Jagen |
| myartspace id:davidjagen |
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| BIOGRAPHY: |
| I have more artwork to upload to myartspace, but in the meantime you can see all of my recent artwork at http://www.sosgallery.org
As an emerging artist, It is my objective to gain exposure to my artwork, by securing exhibition placement and representation within professional art galleries / museums. I am looking forward to working with galleries and developing my long term career.
David Jagen
Thanks for your interest in my artwork,
Kind Regards, David Jagen |
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| ian green |
| myartspace id:iangreen |
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| BIOGRAPHY: |
| still alive |
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| Mamta Baruah Herland |
| myartspace id:Mamta |
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| BIOGRAPHY: |
| Mamta Baruah Herland is born in Assam in India, now lives near Oslo area in Norway. She works mainly with interdisciplinary media that combines photography, digital prints and painting. |
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| Robert Scott |
| myartspace id:rsterlingscott |
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| Dolan Geiman |
| myartspace id:dgartist |
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| BIOGRAPHY: |
| Dolan Geiman is a Chicago-based contemporary artist and fashion designer originally from the Shenandoah Valley of Virginia. Working in silkscreen, painting, collage, and found object sculpture, inspiration includes Southern/vernacular culture, folk art, flora and fauna, and recycled materials.
**Please send all messages to info{at}dolangeiman.com** |
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| Cathy Holford |
| myartspace id:pixiewildflower |
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| BIOGRAPHY: |
| I have always loved drawing since I was a little girl. I enjoyed art classes at school very much. When I was a teen, I sent off one of those "Can you draw this" cartoons and was contacted back. I received a Certificate of Merit from by the Art Instruction Schools.
The representative suggested that I receive training, but I didn't have the funds for it.
My own brother thought I show take Commercial Art in school, but I wound up taking secretarial and administrative courses as I thought it would be a wider job market.
For many years, life got in the way and I didn't so much as doodle. However, a dear friend rekindled my interest in art by drawing me as a fairy. I started drawing then, mostly just to relax. As time grew on, I tried painting, digital art and pixel art. I then started putting my work at deviantArt.com. and places like that.
I have also been a member of the Fantasy Arts Emerging forum. See my journal for a link if you are interested. Through Fae, I have met Christina Davis who put together a book "Faeries through the Seasons". I have four pieces of art and four poems in this book. |
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| Yan D.Soloh |
| myartspace id:YanDSoloh |
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| BIOGRAPHY: |
| artist profile: Yan D. Soloh
-Yan D. Soloh, confirmed artist, autodidact, adventurer ,musician, devotes himself exclusively to painting since the turn of the century.
He has participated in many expositions, inter alia in Montreal and Quebec city,Canada,U.s.a,France and Brasilia. This emerging artist has made a mark for himself among many collectors as well as the public, in Quebec, Canada, Europe and the United States.
From his works emerge several sets of themes ; the surrealism of Dali, the mystical oneirism of Bosch, distressed expressionism of Munch and the religious [see more] ___________________________
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Yan D. Soloh, confirmed artist, autodidact, adventurer, musician, devotes himself exclusively to painting since the turn of the century.
He has participated in many expositions, inter alia in Montreal and Quebec city,Canada,U.s.a,France and Brasilia. This emerging artist has made a mark for himself among many collectors as well as the public, in Quebec, Canada, Europe and the United States.
From his works emerge several sets of themes ; the surrealism of Dali, the mystical oneirism of Bosch, distressed expressionism of Munch and the religious iconography of Chagall.
In the work of Yan D Soloh, , “le Christ en croix”, the human body, urban landscape or pastoral, the biomorphic music and forms return such obsession. His plastic research reflects a personal mystic.
In the composition of his works, the superposition of forms or subjects gives a perspective effect.
The use of colored plans contributes to the effect of depth. The colors are not used to determine the objects or characters, but create a certain atmospheric field.
In other tables, the linear prospect facilitates the entry inside the work.
The use of the oblique vectors instigates movement by the gripping of objects vis-a-vis with the spectator.
His pallet of color points out the fauvism. His technique approaches the American abstract expressionists of the first wave (De Kooning, Pollock). Contrary to the abstracted expressionists, Yan D. Soloh is characterized by the presence from a narrative speech, while integrating the violence of the gesture (dripping) of those, but not disregarding line.
The artist practices a figurative painting resembling Bad Painting, by his baroque treatment, his generous pasting, his overload of colors and his dissonances, far from the traditional rules of composition.
The artist uses various supports; fabrics, plastics. His mediums are oil with integrated acrylic.
Yan D. Soloh is a promising artist who shows already a great smell of composition, a control of color, a rich set of themes. His oneiric and fantastic universe is to be discovered.
The government of Canada even named a new style after him. The “Yanisme”.
*comp.&signed by Sylvain Bazinet -Gaston Sims -*Sylvain-Pierre Simard -Artists/Galierist/*Art Historian & direct assist. for 8 yrs with deceaded master Plastician Painter,m.Guido MOLINARI- j-2006.CND.
He can be seen in many galleries and exposition across canada, united states (Mass.,Illinois.and NewYork in Dec07 for first time)And Brasilia.-added on Feb07)
His works are in the permanent collection of BazÂ’art Gallery,Gora GAll., GalerieSecteur54 where he been Best Artist(all meds) from Jan1st-March10th2007 .in "Best Selling Artists" of the BoundlessGallery (ill.usa).07-07
Up to 35 'Large Public' Solo's exhibitions in 2 1/2 years. A Permanent exhibition since dec05 at La Galerie D'Art le Baz'Art de Montreal Canada. Selected by the Marc-Auréle Fortin Museeum of MTL for the 2006's Symposium. Selected by City Of MTL.Cnd and BigBrothers and BigSisters Greater Montreal with 29 other Internationals Artist painters and sculptors for the 1st edition of The Silent Auction- Recently been selected for the 2nd Ed. in sept-07. see more in D.Soloh's Site.
Yan started painting-VisualsArts- only since 2001 . First exhibition in a Pub of Quebec city in oct-2002(...) ! Impressive
M.D.Soloh are not named twice or in others pseudo name on BoundlessGallery or anywhere else. What You see is what a Part Of D.Soloh, Yan 's ART-Collection-Creations is ! [hide) |
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| leslie schmidt |
| myartspace id:tweetsride |
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| BIOGRAPHY: |
| I started painting about 4 years ago and just recently began a journey in surrealism or fantasy. My works consist of acrylic landscapes and calm quiet environments not quite of this world.
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| Jeremy Olson |
| myartspace id:JeremyO |
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| Holly Bynoe |
| myartspace id:hbynoe |
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| BIOGRAPHY: |
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Photographer|
Visual Deconstructor|
Colorist|
A late Bud|
www.hbynoe.com |
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| Liz Cohn |
| myartspace id:lizole |
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| BIOGRAPHY: |
| If you really want to contact me do so via my email or visit my website www.lizcohnartstudio.com and link to my email . I won't be responding to comments on this site. |
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| nahoum cohen |
| myartspace id:coarc |
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| BIOGRAPHY: |
| artist since 1960 |
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| Basil Filippone |
| myartspace id:basilf |
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| stephan fowlkes |
| myartspace id:stephanart |
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| BIOGRAPHY: |
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| jw miller |
| myartspace id:jwmiller |
| Personal Store:http://www.nyaxe.com/dektown/ |
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| BIOGRAPHY: |
| inspired by 1940's hollywood glamour photographers and comic books, characters are created from everyday observations - from the hair of a person at the bus stop to the shoes of the kid riding his bike to school. Most often solitary figures, they're the second generation from an edward hopper painting that moved from his vacant scenes of new york to the left coast of dektown. |
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| Todd Julie |
| myartspace id:toddart2002 |
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| I am a freelance painter/illustrator who has shown in group and solo exhibitions around Toronto. In addition to this, my commercial work has appeared in publications across North America. I won Gold at the 2003 National Magazine Awards for Spot Illustration and Silver at the Advertising & Design Club of Canada awards in 2005 for the same. I also write about the arts in Toronto for blogTo.com and was recently elected to the Toronto board of the Canadian Association of Photographers & Illustrators In Communications (CAPIC).
For a more comprehensive look at my work please visit:
www.foveaonline.com |
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| Ryan Seng |
| myartspace id:ryanseng |
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| Phil Dynan |
| myartspace id:kozo22 |
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| Working artist. Paints in Northern California studio or London studio. Married to Anastasia Nelson, a working artist. Two children - both musicians/singers/songwriters - Joseph and Sara. |
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| Amy Huddleston |
| myartspace id:amyh |
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| Paola Gonzalez M. |
| myartspace id:paogm |
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| Abstract Expresionist Painter
Born in Monterrey, NL. Mexico 1977
Painting for me it has to do with responding to my inner and outer life. Since I was a kid I enjoyed painting and drawing, I´ve taken some art courses in the U.S., Switzerland and Mexico, but largly Im a Self Taught painter.
I love to experiment with diferent mediums and techniques.
What inspires me...
When I create my abstract paintings sometimes I get inspired by the beauty I see in simple things, colors, textures, patterns and forms.
My paintings also expresses purely myself, they reflect energy and spirit... |
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| Angelo Franco |
| myartspace id:genartworks |
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| BIOGRAPHY: |
| Angelo Franco was born in 1950 in the city of Guayaquil, Ecuador and at the age of nineteen came to the United States. He was awarded a full merit scholarship and financial stipend at the Arts Students League in New York.
Franco paints in oil on canvas with a technique that is intuitive and accomplished. The boundaries between subject, surface and form dissolve in a layered application of prismatic dots, points, and discs-within-discs. Franco applies the precepts of color theory in a manner reminiscent of pointillism but with a more contemporary twist as he takes inspiration from the computer age, specifically the pixilation of digitized images and the manner in which they separate into ever more complex color components. |
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| Anne C. Ferguson |
| myartspace id:AnferArt |
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| Hillel Kagan |
| myartspace id:Hillel |
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| Born in 1947 in Toronto, Hillel Kagan has been a professional artist since graduation from Central Technical School Art Institute in 1967. He began showing works in 1975 and has been a full time painter since 1985. He has had shows, both solo and group in private and public galleries. Hillel is currently self represented and if you're interested in more information please feel free to contact him directly
(Artist"s Statement)
I'm a believer in the struggle to achieve the purely innocent eye. A "Cezannist". That is an impressionist constantly trying to measure his/her "impression" without prejudice and with accuracy. That is Cezanne's lesson and revelation.
I love Velazquez for his modernity. Vermeer for his sense of space and teaching us how and how not to use the camera. Cezanne of course, as the ultimate plodder of modern art who steadily climbed the mountain. Giacometti, innately more gifted who took up the challenge. And all the other heroes: Picasso when he and Braque were one person. Gris as the best of the lot. Lipschitz, the sculptor and Soutine for bending space. Bomberg and his followers. Bacon, the master trickster. Hopper, de Kooning and Diebenkorn and all my fellow loser artists on this site and elsewhere for dreaming and persisting and never giving up in the face of ridicule, envy and outright contempt.
About The Subway Paintings
I have lived and worked in Toronto all my life. I am a painter of figurative works, particularly the human figure within enclosed spaces. That's what the city is to me, a series of enclosed spaces linked together by sidewalks, roads, underground malls, buses and subways. There are a few spaces where we give ourselves a reprieve from all this confinement. Some parks and ravines to give ourselves the illusion of being outdoors in nature. As an urban person this lack of so called nature is quite natural for me. To paraphrase Jackson Pollock "We are nature".
I'm a "paint what I see" kind of artist. A believer in the struggle to achieve the purely innocent eye while honing the faculties of measurement of the creative physicist. That is, the inner clock as opposed to the exterior clocks and devices of grids and plumb lines and computers. In this manner the potential to discover fresh form is infinite. Art can't change the world but it can change an individual's perceptive abilities thereby increasing their interest and enhancing their lives
The paintings I'm displaying here are from a series of works produced from 1996-2005. They were generally exhibited as "The Subway Paintings". The motif has no special meaning or social significance for me other than the fact that while riding the subway one day,it occurred to me that I was in this long rectangularly shaped cubic room that was hurtling through space and time. The train was moving and the people in it were moving. The human figure, deep space and movement. These are all the things that are of interest to me. Anonymous people busily moving about their enclosed urban environment.
The Struggling Figures Series
For a six year period from about 1988-1994 I worked on and off on a series of paintings of struggling figures, These paintings arose from our move to my childhood home. Upon becoming a widower for the second time my father moved to smaller quarters and invited us to live in his house.
At about the same time, while rummaging through his (my father's) vast collection of junk, i happened upon some photo illustrations of wrestling and jujitsu holds from the 1930s that he had used to study from during his amateur wrestling career. These images and the new space I found myself in combined to formulate this series of paintings.Although a continuation of my ongoing study of the human figure in enclosed space, these paintings were more personal in nature as they embodied both the struggle of of family life within the home, a struggle not violent but more a dance or enactment with all the participants knowing their roles, and the struggle of modern figurative painting, i.e. the resolution of conflict between abstraction and realism, flatnesss and illusion.
The Great European Torah Scholar I, II, III, IV
Jewish tradition as we know it today was formed in Europe. In point of fact without the influence of Europe the Judaism that is practiced would be unknown. This melding of an ancient eastern religious cult with the west, despite the inherent conflicting ideologies and more importantly and more likely because of those conflicts has given birth to a great and vital tradition of tolerance and compassion. A culture of interpretation and differing ideas yet in the main tolerant to difference and contributory to the bettering of the world. For over a thousand years Rabbis, scholars and thinkers from Maimonides and Spinoza to Buber and Kafka and countless others, have benefited European culture even while under duress from their neighbours. It's in the spirit of that contribution that I've created this series of paintings.
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| Chris Shields |
| myartspace id:chrisshields |
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| BIOGRAPHY: |
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| john alspach |
| myartspace id:shinyrobot |
| Personal Store:http://www.nyaxe.com/john.alspach/ |
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| BIOGRAPHY: |
| Born Duluth, MN, 1967
Wasn't particularly "artistic", looked to have promise in piano.
Discovered passion for art while undertaking a degree in Biology.
Married, 2 kids, dog.
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| Harriette Lawler |
| myartspace id:hlawler |
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| Claire Wolf Krantz |
| myartspace id:cwkrantz |
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| I am an artist, a freelance art critic, and curator. I have been painting professionally for 25 years and working digitally for 10. Although I was born and live in Chicago, I have traveled extensively in the USA, Europe Asia, and South Africa and have lived and worked in Indonesia, Belgium and South Africa. My paintings and digital images explore themes relating to travel in the creation of experience and memory - they are about the fictions we create and how these stories shape our lives, inventing narratives to make sense of our world and understand others and ourselves. Using photos from various places and digitally manipulating them I present experience and memory as an amalgam of the "real" and the invented. |
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| Harry Agema |
| myartspace id:Lookatme |
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| Rembrandt,van Gogh,Mondriaan,Willem de Kooning,Karel Appel, Escher, Marlene Dumas,Rineke Dijkstra, are all Dutch artists. So, there is a tradition of painting and printing in my country. There are still a lot of artists in Holland. I am 1 of them. |
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| Kaycee Newell |
| myartspace id:purpletree |
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| Carol McArdle |
| myartspace id:Carolsart |
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| Carol McArdle was born in Montego Bay, Jamaica, West Indies to an English Mother and Jamaican Father. At the age of three she moved to England with her Mother and spent most of her childhood in English boarding schools. Only the last two years of High School were spent back in Jamaica where Carol loved the weather but missed England's culture and society.
Carol went to West Surrey College of Art and Design in Farnham, Surrey in England, which was only an hour's train ride from London with all the great Art exhibits always available. She is a multi-talented artist and her art career has spanned many art disciplines.
After having lived in England, Ireland and Jamaica, Carol moved to the States in 1992 and to Southwest Florida in 1995. She became an American citizen in 2001. Carol's current series of paintings depict her local Florida nature and reflects her appreciation of Florida's warm climate, unique landscapes and wildlife. |
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| MARIBEL RUIZ FIGUERAS |
| myartspace id:MARIBEL |
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| BIOGRAPHY: |
| Maribel Ruiz Figueras, 20/03/1946, artista nacida en Barcelona, vive y trabaja en VIC (Barcelona)
De pequeña ya destacaba en el dibujo y las artes.
Creo que el arte ya nació conmigo.
Siempre autodidacta, siempre investigando y descubriendo nuevas texturas y materiales diversos.
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| Malgorzata Jasinska |
| myartspace id:eempatiaa |
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| Even as a little girl I've been extremely introwertic, creative and imaginative. I'm a loner and people think I`m strange but some of them appreciate my very subjective point of view.
My name is Malgorzata Weronika Jasinska but I am also known as eempatiaa / empatia or Inf3ctedDoll. I have spent my lonely childhood in a city called Grudziadz (Poland) and I still live here. When I was little I used to make a lot of drawings, especially portraits of Manga & Anime characters. I always knew that I am an artist but I didn't know yet in which medium should I work. So that I decided to join the music school for playing piano but it didn't become my destiny. I also tried with other kinds of art but I wasn't cut out for them. There was no comparison with drawing and painting.Through the next years my works have been appreciated and won some contests.
About four years ago after designing only layouts for blogs I started making photomanipulations and other digital artworks. It was a dead-centre in my development. I discovered that there is something better for me than just traditional art. In a short time I have learned a lot about manipulaing pictures in various ways. My digital artworks are mostly dark or surreal. After some time I also wanted to take images I manipulate.
Three years ago on my sixteenth birthday (and yes, this year I am nineteen years old) I got a digital camera. In photography my main subject is a portrait of human though of my asociality. Because of isolation that it brings I am the model on the most of my pictures.
My curse is my gift. My deep sensitivity and emotional instability gives the best (and uncomfortable) inspirations I could ever have. Most of my visions comes from my nightmares and daydreams. For a long time I couldn`t decide between graphic design and photography. I guess photomanipulating is some kind of compromise which really satisfies me and my artistic ambitions. Recently I also work with old good traditional media. |
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| Suzanne Pratt |
| myartspace id:suzpratt |
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| Stephan Scherer |
| myartspace id:stephanscherer |
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| I AM A GERMANY BASED SPORTS AND ADVERTISING PHOTOGRAPHER. I ALSO LOVE TO SHOOT ALL SORTS OF MUSIC BANDS. I WAS BORN IN KARLSRUHE, GERMANY, IN 1980. SINCE 2002 I HAD THE HONOR TO ASSIST SEVERAL PROFESSIONAL ADVERTISING PHOTOGRAPHERS, AND I AM SO HAPPY TO HAVE LEARNED FROM THEM.
I LOVE DIGITAL PHOTOGRAPHY, AND I LOVE THE TECHNIQUE BEHIND IT. I LOVE FILM PHOTOGRAPHY, FOR SURE, BUT I DON'T MISS IT AT ALL. I ALWAYS WANT TO GET THE PERFECT SHOT DONE, TO CREATE THE PERFECT IMAGE, NO MATTER WHAT IT TAKES. |
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| Kenney Mencher |
| myartspace id:kmencher |
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| BIOGRAPHY: |
| A painterly Peter Sellers, Mencher's works are like the film "Being There." Mencher likes to watch.
Citing the almost cliché conventions presented by literature, television, film, and stage drama, Mencher’s often sardonic objective is to present a figurative composition that forces viewers to create their own interpretation of the narrative. By combining calligraphic gestural brushstrokes with passages of tight traditional glazing techniques, Mencher's works explores the thread of human connection that is woven into our experiences. Collaged from posed photographs and pop-culture, Mencher's paintings are frozen moments in a play. Sometimes these moments are outrageous or surreal and the figures in his paintings are character actors caught up in the action.
Kelley Vance’s review of Mencher’s work describes the Bay Area artist’s work as “a whiff of Edward Hopper, a blast of Mickey Spillane, a rrowf of David Lynch.†One can see a world of humor and double entendre in his paintings in which “low rent gigolos†steal cash, beautiful blonde bombshells offer forbidden apples, and psychoanalyze characters straight out of Edward Hopper’s world. Even so, one is still left with a riddle that San Jose Mercury’s art reviewer Jack Fischer describes as working by implication. “Something is happening in the picture that gives you the willies, but it can be hard to decide whether the cause, dear Brutus, lies in Mencher's depiction or in what you've brought to the party yourself.â€ÂÂÂ
Some paintings feature a few riddles that may not be “willy†inducing but are certainly provocative. Most notably Mencher is exhibiting a series of portraits in which multiple copies of the same character gaze at, question, and muse over half glasses of water. The cliché seems to be of the “is it half empty or half full variety†but the over all these pictures’ contents seem to challenge the viewer into wanting to know the models’ thoughts and not so much what the answer is.
Originally from New York, NY, Kenney Mencher earned a BA and MA in Art History from City University of New York and University of California, Davis, respectively, following which he went on to obtain a MFA in painting from the University of Cincinnati in Ohio. He has taught at a number of institutions including the University of Chicago and Texas A&M University, and now teaches at Ohlone College in Fremont, California. He is the author of a text book Liaisons: Readings in Art, Literature and Philosophy. His exposure via solo and group exhibitions is extensive nationwide. |
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| Michael Kennedy |
| myartspace id:kennedyland |
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| Mireille Dubois-Vanhove |
| myartspace id:michette |
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| • aquarelliste Artist and ceramicist, works the wet on wet. Having painted Africain portraits especially, the courage of these women facing poverty lived thirty years in Africa, wants to show, by its watercolors, the back of the Africain idyllic landscapes, with misery, illness; drawings Through its watercolors and its ceramic any unique(only) details(rooms)), Mireille Dubois shows to the idyllic decoration(set) of Africa, with its poverty(misery) and its diseases. Some sentences pulled(fired) by his(her,its) visitors' book demonstrate the impact which the work exercises on the spectator:
Work poignant and masterful and returned with an economy of means; as by modesty...
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| YoniLab Art'Work |
| myartspace id:yonilab |
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| Artiste multimédia j’évolue dans l’image, parcourant ses mediums depuis neuf ans, de la photo noir & blanc au digital art, du collage papier à l’infographie, de l’imagerie purement artistique à l’imagerie commerciale. C’est enrichi de ces domaines que depuis 2005 j’explore la peinture, envisagée « ultra-graphique » ; travaillant mes personnages en photo, que je mixe, modifie, sample, customise en infographie avant de les transposer sur toiles à l’acrylique en m’éloignant le moins possible de la rigueur numérique.
Inspiré par les arts graphiques, par la photo artistique ainsi qu’érotique, par la culture visuelle japonaise et plus largement par la culture urbaine, je développe un style erotic-pop, fetish-ligth, dark-pink, jouant des contradictions et paradoxes contemporains ou toys, guerre et sexe se retrouvent remixés.
« Jouets de collection pour adulte, icônes pop dévoyées et machines de guerre des sexes...
YoniLab découpe et taille dans les chairs virtuelles de ses modèles à grands coups de scalpel digital. Créatures hybrides, tatouées, scarifiées, corsetées, mutilées, démembrées, voire toutes tripes dehors, ses poupées de plomb nous lancent de langoureuses oeillades sur fond de blip music. Comme un air de revanche sur la génération des Suicide Girls et autres pin-ups modèles dont les poses prétendument rebelles n'émoustillent guère plus la galerie. Aux antipodes, YoniLab propose une oeuvre sensible, sensuelle, rafraîchissante et remplie de clins d'oeil à la pop culture japonaise, au street art et aux collages punks. » Par Laurent Courau.
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| Anna Mansell |
| myartspace id:mans0099 |
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| Katrin Cassel |
| myartspace id:Katia |
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| Simonetta Berruti |
| myartspace id:simonetta |
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| BIOGRAPHY: |
| About my art concept, my sculptures must seem more natural as possible: the artistic works must be like a a natural object , shells , stones,a big grain of rice, the leaves, the bones.The artistic intervention must seems a secondary part respect to a work that must live for own tension.
For ll my ceramic works I used grès.The glazes used for these sculptures are all glazes fired in an oxidizing atmosphere in an electric kiln oven at 1200 degrees.
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| Laura Hughes |
| myartspace id:lkhughes |
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| BIOGRAPHY: |
| Laura Hughes is an abstract painter based in Calgary, Alberta, Canada. She is represented in various collections including the Alberta Foundation for the Arts, and has been awarded grants by the Canada Council for the Arts and the Alberta Foundation for the Arts. Her work has been exhibited alongside artists such as Gerhardt Richter, Terry Winters, Carroll Dunham, Jack Shadbolt and Guido Molinari. |
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| lynn fraser |
| myartspace id:nellbelle |
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| BIOGRAPHY: |
| My website is http://lynnfraser.co.uk/
Latest paintings here http://www.flickr.com/photos/nellbelle |
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| Michael Price |
| myartspace id:michaelpriceinfo |
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| BIOGRAPHY: |
| Born Stoke-on-Trent, England.
Since 2000 Permanent Residence in New York
1977-1999 Resident in Munich, Germany
1994-1995 6 month residence in Austin, Texas, and visit to South Korea
1991-1992 Regular working visits to the Provence, France
1976-1977 Resident in Rotterdam, Holland
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| Henning Block |
| myartspace id:steelcolor |
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| BIOGRAPHY: |
| 1991 first joint workshop
I am We need to learn to forgot our difference...
Art shall, Art can, Art must.... testifies from nothing, however!
community of two autodidacts/self taught.Homepage: http://freenet-homepage.de/stahlundfarbe/index1.html
http://www.stahlundfarbe.de/index_EN.html |
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| David Kassan |
| myartspace id:davidkassan |
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| BIOGRAPHY: |
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