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| Dan Goorevitch |
| myartspace id:dangoorevitch |
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| BIOGRAPHY: |
| Born Edmonton 1951 with twin brother David. Sister Trudy born 1958. Five months later, father dies. Five years later, mother dies. David and I sent to a brutal boarding school where I withdrew to imagine a better world. On graduation I came home and on a perfect day decided that there must be more to life than perfection. I descended the basement steps to find a little poster paint, a piece of paper, a jar of water, a brush, and fell into the act of painting. An image of Adam and Eve in the garden emerged like magic under my hand. "This is it" I said, "This is the door through which I can bring all my unexpressed longings, feelings and ideas, trapped inside me for years. I still paint that way, discovering rather than constructing images. |
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| Joey Holder |
| myartspace id:joeyabstract |
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| BIOGRAPHY: |
| I am consistently drawn towards the ugliest and most unusual aspects of nature, which inspire my creative expression. I am obsessed with nature̢̢̮ââ¬Å¡Ã¬Ã¢ââ¬Å¾Ã¢s structural diversity and the surprises it has to offer, and have developed an entirely imagined world of forms drawn from an aquatic reality.
Formations that grow, mutate and interact across my canvasses are not constrained by the two-dimensional structural limitations familiar to us land based mammals. Instead they search in every direction for their form, rejoicing in their weightless environment and disregarding the oppressive restraints of gravity. The often humorous, almost cartoon-like quality in much of my work serves to distance us from, and yet also heighten the sense of the grotesque that lurks behind my brushstrokes. I aim to confront the viewer with images that are difficult to digest and yet always manage to retain a certain fascinating beauty.
I refuse to stick to any particular style, preferring to let the element of surprise articulate the layers of paint and the colour harmonies and clashes in my work. The paintings always develop as a natural, evolutionary process thereby avoiding the manifestos and imperatives that could stem the flow from the imagination to the canvas.
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| Kathy Smith |
| myartspace id:kathysmith |
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| BIOGRAPHY: |
| Photography, Violin, DVD Author, Films, Coach |
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| alexei biryukoff |
| myartspace id:biryukoff |
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| BIOGRAPHY: |
| After my first complex project in 2004 called Naked Loneliness I got interested in conceptual art and performance very much. I am interested in combining paintings, sound and performance together - all done by myself, and reach several channels of perception at a time. In our information age especially, people tend to collect and passively store information in their heads rather than live it through, be it emotions or images or whatever format of info they get. I try to create a micro world, where the paintings are not just pictures hanging on the walls, but where everything that is seen and heard interacts with the show space and involves the viewers, making them part of a bigger picture. It is more like a theater with the viewers standing in the center of the stage surrounded by images, sounds and action, that are aimed at provoking thoughts and facing contradictions. The aim is to turn them from passive on-lookers into active participants.
Naked Loneliness show was accused of pornography and closed by the local government of Barnaul, Russia. The work that is included in this show is one of the works from that show.
While male nudes are my major subject, I intend to work on different themes. The second conceptual show I made in 2006 was about the terror attack in Beslan.
I do like to choose one theme and live with it for several months, reading and thinking about it, working on it day after day. It is very much like a journey – I am visiting a certain place that burns my mind, moves my thoughts and emotions, and makes me want to say something back. I keep doing that till I am exhausted, but every time this happens I realize that I cannot exhaust the theme I am working on, it is inevitably the other way round.
After all it is not so good to be too serious all the time - art is a game, with no restrictions or rules to play. Just play away and enjoy the freedom. Make your every step an act of art, make people see ordinary things from new angles, be serious, play, then mix it all up and see if anybody understands what you are doing...
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| David Burge |
| myartspace id:David-Burge |
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| Sue Platt |
| myartspace id:sueplattart |
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| BIOGRAPHY: |
| I live in a small village called Delph in Saddleworth. on the Pennine border between Yorkshire and Greater Manchester. I have a studio in Woodend Mill in Mossley, approximately 8 miles away in Tameside. I work in sculpture,installation, printmaking and painting. |
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| rebecca cleaves |
| myartspace id:rcleaves |
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| BIOGRAPHY: |
| Rebecca's manner of painting encompasses strong line and rough, unpolished texture. Often geometrical, sometimes surreal, her paintings seem to convey uncompromised messages from the artist. The reoccurring figures in a landscape speak loud about the position of the human in the world and the use of mixed media emphasises the complexity of nature. |
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| Frank Spidale |
| myartspace id:sammy4 |
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| BIOGRAPHY: |
| The paintings begin as a series of drawings gathered and referenced to collectively assemble a fictitious landscape. The resulting unnamed place provides an accessible, comfortable subject for the viewer and then as the viewer is engaged, it unfolds to present layers and exploration of both formal and material issues. It is a landscape intended for the viewers to enter into and move around in. The use of rhythm, timing and touch present a pathway which when allowed to take over, sends you searching. Never resting on what is real but rather resting on what is perceived. |
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| Elliott Teel |
| myartspace id:eteel |
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| Chris Gregori |
| myartspace id:cgregori |
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| BIOGRAPHY: |
| Chris Gregori is a graphic designer and illustrator born and raised a 30 minute train ride to Chicago in Homewood, IL. Chris received a Bachelor of Science in Fine Arts Degree from Valparaiso, University in 2002 and found his new home in Fort Collins, Colorado in the fall of 2003. He now lives in Denver and can usually be found drawing, eating Golden Graham cereal, creating postcards, taking walks with his lady Sarah, camping, playing drums or sleeping.
Chris provides affordable freelance work for local companies, bands, artists, and non-for-profit organizations. Contact Chris @ chrisgregori@gmail.com for quotes on freelance work.
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| Alessandro Fantini |
| myartspace id:AFAN |
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| BIOGRAPHY: |
| His first attempt in creating his own aesthetic parallel universe was during his childhood, when he was intrigued by drawing night and day comic strips and duck tales inspired to Disney world. Over the years his passion about mysteries and gothic atmospheres pushed him to search other ways of self-expression through using water colour on board and oil on canvas.
Suddenly he was also fascinated by the link between sound and images when someone let him use a small videocamera and he began to spend days filming stormy skies, eclipses, old photos mixed with frames of giant eyes and his own body sections. His first oil on canvas were deeply influenced by the gloomy and dreamlike climate of the surreal period of Dalì (1929-1945).
At the same time he developed also a vionary literary dimension writing romance and novels which resemble a mixture of d'Annunzio obsession for lushious details and sophistication and the distorted abomination realms of Lovecraft, Clive Barker, Sheridan Le Fanu and Maupassant. He wrote his first 200 pages romance at 14 on a school notebook.
After the long period of research between Rome and London in order to collect the documents needed for the completion of his university thesis about the relationship between Preraphaelites and Italian painters, he continued his artistic quest involving also mystical themes and more morbid compositions inspired by Giger works and Rossetti's poetry. Since 1996 he produced and directed a series of short-movies, mostly using the natural locations of Abruzzo and sometime hurban environment of Rome. References to the style of Lynch, Bunuel, Tarkovsky and Kubrick can be easily found in his video concept.
A self-portrait of him was published inside the Jean Michel Jarre's Aero booklet in 2004.
In 2006 he published and illustrated an anthology of fantasy tales while his short-movie "Tiranti Transit" was broadcasted on a Sky channel.
In 2007 he released the dark-fantasy book "Endometria - The seed of flesh" illustrated by his drawings and paintings.
A selection of his oil canvas has been exhibited at the London Brick Lane Gallery in october 2007.
His shortmovie "The Road to Shakti" has been broadcasted on ECOTV SKY channel in december 2007 and january 2008.
His sperimental short "aVoid" has been selected for the Digital Award contest 2008 of the international 16mm Film Fest 2008 of Rome. |
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| Paolo Durandetto |
| myartspace id:ciatu |
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| BIOGRAPHY: |
| I was born in Susa, TO), Italy, in 1974. Actualy I live in Rivoli (TO) Italy. |
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| Anthony Feyer |
| myartspace id:scrapper |
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| dragan katanic |
| myartspace id:proxima |
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| Michele Martinoli |
| myartspace id:miche |
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| Evan Polenghi |
| myartspace id:epstudio |
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| BIOGRAPHY: |
| Born in NYC, Evan Polenghi was raised in Milano, Italy. Upon returning to the U.S. in 1976 and later completing a BFA at Pratt Institute, Evan continues a life in Art.
Evan consciously makes images with the consistent notion that art is a language that communicates strongly even when its not pictorial or figurative. Communications can be simple and direct or complex and demanding, His recent work often deals with that he calls "Life Basics", reflected in the work's use of reductive color, markings, and materials. Categorizing Evan as a Painter or Sculptor seems awkward. He prefers the term image maker or object maker.
Among Evan Polenghi's accomplishments are several commissions for Absolut vodka and an extensive list of commercial clients including the Museum of Modern Art, The Gap, The World Financial Center, Time Inc., Toshiba, The New York Times, among others. Evan's work is in collections around the world including the U.S., Japan, Europe, and Latin America.
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| Ely Amarely |
| myartspace id:kara |
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| Giovanni Manzo |
| myartspace id:giovannimanzo |
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| BIOGRAPHY: |
| The painter Giovanni Manzo (1966) lives and works in Naples (Italy ).
The painter Giovanni Manzo is internationally acknowledged for his innovative style mixing harmoniously (blending?) three artistic techniques: photography, graphic art and painting.
His black and white oils on canvas pay homage to auteur photography. Graphic art gives the image a contemporary and modern flair, while the painting humanises it, conveying a romantic view that belongs to Neapolitan cultural history.
Naples is the city he prefers to paint, revisiting it from a modern viewpoint like no other artist has ever done before. His technique marks a breach with the traditional Neapolitan figuration: the most typical streets of the historical centre are reproduced from a modern perspective, projecting a completely new image of the city to the world.
The painter̢̢̮ââ¬Å¡Ã¬Ã¢ââ¬Å¾Ã¢s deep sense of belonging to this city makes it necessary to find a new way of describing it, with the aim of relaunching its culture at the international level. Through the historical documentation of scenes of real, daily life happening in Naples, the painter fully grasps its truth and the historical authenticity of its architecture. In every painting movement is expressed through natural characters and things. The city is 'taken aback' by the camera shot, which portrays what could wrongly appear like chaos, but is, in fact, the order and history of one of the oldest cities in the world.
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| Bea Correa |
| myartspace id:beacorrea |
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| BIOGRAPHY: |
| I am a Brazilian designer living in Amsterdam.
I studied law in Brazil and graphic design in Holland.
Now I own a web-shop, mindwhatyouwear.com.
In my web-shop I sell reflections on smaller and larger issues in modern life.
My best-selling products are the dirty and forbidden words, like Allochtoon, Housewife and FAKE.
There are people who publish their thoughts in books and magazines.
I choose fashion and internet to publish them because of their power as mass medium.
Fashion walks in the streets.
Internet runs in the global village
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| john grande |
| myartspace id:jgrande1 |
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| BIOGRAPHY: |
| John Grande is a contemporary painter inspired by life and the dramatic events that mold us as a race. His approach to painting is influenced by color photography and the principals of custom c printing. For seven years John Grande printed for the likes of fashion photographers Annie Leibowitz, Jack Pearson and Giles BenSimon for such magazines as Harpers Bazaar, Vanity Fair and ... It is no wonder we see aspects of both the physical process and emphatic content from this formative period in his current paintings.
In his recent works John Grande creates compelling paintings that combine the ̢̢̮ââ¬Å¡Ã¬Ãâ¦Ã¢â¬Ådramatic components of power with the perfect proportion of mystery ̢̢̮ââ¬Å¡Ã¬Ãâàto mark world history with significant grace. Each work of art skillfully stimulates imagination, while commemorating dramatic and profound world events.
Grande's works render definitive poise, echoing reflections of the immeasurable consequences of peril by the components of power in his distinct and dramatic renditions of world chaos. He marks each crisis by a unique symbol of mystery tempered by innocence and idealistic beauty portrayed by mannequins. The paintings elude to the consequences of destruction, leaving everything in between and thereafter, a mystery that only history and media can properly define.
It doesn̢̢̮ââ¬Å¡Ã¬Ã¢ââ¬Å¾Ã¢t take an expert in art to recognize talent in an artist. It takes perspective, and directive exposure to recognize the creativity of a true artist.
Grande's New York City mannequins idealize the process of recovery that his home city has drastically experienced, giving rise to direct relation of profound disaster that can serve to inspire forged refinement, beyond simple recovery, to the whole world. The imagery of the paintings once veiwed will never be forgotten.
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| FRANCESCO GENTILE |
| myartspace id:MIVIAG |
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| BIOGRAPHY: |
| for years to the search of an artistic vent, from some time stimulated from one family interested to the art. The stimulus reached in one phase of change of my life, now poured in emotions and feelings on the Back of my works.
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| MOMO Meng |
| myartspace id:nikklemomo |
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| BIOGRAPHY: |
| http://www.momo-workshop.com/ |
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| Michael Geuns |
| myartspace id:fizzen |
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| BIOGRAPHY: |
| Read the resume, it's better than the book.
And no, don't believe my cat.
He really likes me, but drinks to much |
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| James Nova |
| myartspace id:jxnova |
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| BIOGRAPHY: |
| "tradigital" artist combining collage/assemblage/painting/drawing/sculpture with photography and digitial techniques.
current projects:
1. completion of 78-image photo-based contemporary Tarot card deck using live models. http://home.pipeline.com/~jxnova/tarot.html
2. in-house graphic designer for New York Metro Alliance of Anarchists (NYMAA.org). |
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| Francesco D' Isa |
| myartspace id:giza |
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| Didier Saint Melin |
| myartspace id:saintmelin |
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| BIOGRAPHY: |
| Didier Saint Melin is a world traveler who maintains a studio in Durango, Mexico. His is a sophisticated view of the world. Art consumes his life. His presence is electric and he infuses his space with lively conversation rife with thought provoking ideas. His solo exhibitions include Los Angeles, Paris, Guadalajara, Durango and Mexico City.
more info and full portfolio at www.saintmelin.com
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| N. Taylor Blanchard |
| myartspace id:ntaylorblanchard |
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| BIOGRAPHY: |
| Wildlife Art and Fantasy & Science Fiction Art:
www.ntaylorblanchard.com |
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| roxy in the box |
| myartspace id:roxyinthebox |
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| Born in 1967 in Naples, Rosaria Bosso, alias Roxy in the box, lives and works there.
Roxy takes her school leaving certificate at the Art School; she specializes in Fashion design at the Naples Fashion Academy in 1988 and then in Fresco at the Building Institute of Bologna in 1993.
Eclectic in her art, she develops video-art and elaboration of images, installation and acrylic painting, offering to our senses a polyhedral and ironic imaginary made of a neo-pop taste of colour with sharp strokes and no shades.
Unlike the current use of digital technology, Roxy works with computers to project the first glamour-made image, that she makes comics-alike plasticized before painting with acrylic, all becoming a free hand work.
Her first experiences are concentrated on painting correlated to manipulation of widely use goods, from NUTELLA to powder detergents, following a new-dada philosophy, and creates ironic hints with her works, by playing with packaging ? see the original group of the coloured blue-hair transvestite, an improbable testimonial of an improbable spreading chocolate, named Femmenella.
With a clear social background satirically formed, Roxy is always ironical about obsessions, habits, customs, feelings and everyday commonplaces without pedantry, only to make us think about them with a smile. |
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| Inna Bredereck |
| myartspace id:bredereck |
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| BIOGRAPHY: |
| Bei mir finden Sie moderne Kunstwerke, professionelle Tierportraits, Personenportraits und GemÃÆÃâÃâälde mit ÃÆÃââââ‰â¬Ålpastel, Acrylfarben auf Leinwand, Bleistift Zeichnungen/Skizze auf Papier zu sagenhaft gÃÆÃâÃâünstigen Preisen.
Personenportraits, Tierportraits, Lanschaften, Stilleben, GebÃÆÃâÃâäude, Autos.
Jedes Motiv m̮̦̉̉glich! |
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| Brian Rushton Phillips |
| myartspace id:brushtonphillips |
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| BIOGRAPHY: |
| Brian Rushton Phillips (born April 19, 1972), is a Canadian graphic artist and advocate for social change and commentary.
Rushton Phillips interprets the social, physical and media landscape of the 21st century, through graphic art, mixed media and photography, and works to stimulate a dialogue for social change, through visual art that challenges, questions and comments upon the status quo of popular culture. |
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| Edna Dapo |
| myartspace id:edapo |
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| brita lomba |
| myartspace id:leicabri |
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| photography - landscapes, abstract, paris pavements, black and white
digital Leica
Hasselblad
trees in cities, trees of africa |
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| Pierre Loo |
| myartspace id:pploo |
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| BIOGRAPHY: |
| Born and lived most of his life in the city that never sleeps-Hong Kong, Pierre deliberately had interest and intensity in Art when he was a child. Having spent time in Canada, Peru, China and USA, he believes image is the common language of all culture.
His first public art piece exhibit in 1990 won him a MdN International Awards and Broadway Hensey scholarship. He was also awarded the AGFA scholarship, which sponsored him to the San Francisco Art Institute as an exchange scholar. After the 3 years of BA(hon) degree graduate with a honor in Hong Kong, his image work and photography have been exhibited globally including USA, China, Brazil and Hong Kong. 1993 exhibition name " Social Documentary in Hong Kong" Sponsor by Agfa were held with some well known photographers and artist, Pierre̢̢̮ââ¬Å¡Ã¬Ã¢ââ¬Å¾Ã¢s work has been highly comments and been call as "Hong Kong Richard Avardon". Crossing between commercial art and fine art circles, Pierre found it interesting yet frustrating. In 1996, he came to the United States of America to further explore his aesthetic ideas and earned his BFA in Fine Art.
His work has been seen with rich impact and emotional mood that involve between social culture and art world. With a Fascinating Surrealism style of digital imaging and paper collage, his ideas reflect his current emotion towards life, love and the society.
He believes: ̢̢̮ââ¬Å¡Ã¬Ãâ¦Ã¢â¬ÅUsing other person̢̢̮ââ¬Å¡Ã¬Ã¢ââ¬Å¾Ã¢s image to make collages feels like using other̢̢̮ââ¬Å¡Ã¬Ã¢ââ¬Å¾Ã¢s hand to slap their own faces.̢̢̮ââ¬Å¡Ã¬ÃâÃÂ
Seeing comes before reading, images are the most powerful weapon in this generation. He believes that by creating powerful images, he can make this world a better place.
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| Marie Lannoo |
| myartspace id:Lannoo |
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| BIOGRAPHY: |
| Marie Lannoo is a painter who lives and works in Saskatoon, Saskatchewan, Canada. |
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| Lela Erlenwein |
| myartspace id:lelaerlenwein |
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| ...Without words or is there life after art?These pictures represent nothing. What is there to see? Strange forms, compositions, structures. Here and there they remind us vaguely of something familiar. These pictures are not constructed nor are they composed. They don’t show proportions nor do they show rythm. Colour is in part present but it takes itself back not becoming the subject and not a mediator of moods. Just as much as these pictures are not trying to tell stories about a person, even the artist, they tell their own. Their being is not demanding attention and, no trace of compassion and magnificent creation is envisaged. No tricky detail is demonstrating technical virtuosity. Not even a remarkable patience in uniformity and repitition invite for admiration. These pictures do not show themselves as product of hard labour, nor are they the result of spontaneous outbursts. They represent no chaos and no order. Just as they do not try to categorise themselves, the cannot be categorised. They are not insinuating admiration of an idol from the artworld, nor do they admire idols outside of art. One wonders if they enjoy their freedom of the chosen lack of any relationship and, it seem that they themselves are stunned about their boldness which undoubtedly demands great strenghts. So if these pictures represent anything than it will be firstly this:They show – as paintinsg – that there is a world beyond painting, beyond what can be painted. Here the impossible is the obvious. Thus being a wonderful prospect. (Dr. Susanne Weiss)
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| Melissa Setterington |
| myartspace id:melissasetterington |
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| BIOGRAPHY: |
| For a Nicaraguan, living in the United Kingdom for the last twenty-five years has sometimes been difficult. Those of us who live away from our homeland have the challenge of absorbing the new culture whilst adjusting our values and being true to ourselves. The differences in cultures have produced a strong feeling of suspension and a sense of wonder of where it is that I truly belong. I feel that there are huge polarities between cultures and ÃÆÃâÃâ ââ¬â¢ÃÆÃ¢â¬Â âââ‰âÂ¢ÃÆÃââââ¬Ã
Â¡ÃÆÃ¢â¬Å¡ÃâémigrÃÆÃâÃâ ââ¬â¢ÃÆÃ¢â¬Â âââ‰âÂ¢ÃÆÃââââ¬Ã
Â¡ÃÆÃ¢â¬Å¡Ãâés have to deal, at one point or another with these differences. All the problems arising from the ÃÆÃâÃâ ââ¬â¢ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ãâ¦ÃÂ¡ÃÆÃââââ¬Ã
Â¡ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ãâ¦Ã¢â¬Åconundrum of culturesÃÆÃâÃâ ââ¬â¢ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ãâ¦ÃÂ¡ÃÆÃââââ¬Ã
Â¡ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ãâàare what the world is struggling to adjust to today.
The tension produced by this is what I explore through my work; how to represent it visually, succinctly and aesthetically. I work with polarities: the dynamics of shapes and forms expressed in a controlled/expressive, cold/hot, hard-edged/blurred-edged way. Representing them within a strong but simple composition; shapes that fight against each other in a space.
I have developed a methodology which includes the development of a series of drawings followed by further studies through Collage, Paintings and/or Relief work. I have been inspired by Ellesworth KellyÃÆÃâÃâ ââ¬â¢ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ãâ¦ÃÂ¡ÃÆÃââââ¬Ã
Â¡ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ã¢ââ¬Å¾Ã¢s simplicity, Mark RothkoÃÆÃâÃâ ââ¬â¢ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ãâ¦ÃÂ¡ÃÆÃââââ¬Ã
Â¡ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ã¢ââ¬Å¾Ã¢s subtlety and Sandra BlowÃÆÃâÃâ ââ¬â¢ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ãâ¦ÃÂ¡ÃÆÃââââ¬Ã
Â¡ÃÆÃ¢Ã¢ââ¬Å¡Ã¬Ã¢ââ¬Å¾Ã¢s dynamic expression.
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| Ann Mc Cormick |
| myartspace id:annmccormick |
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| BIOGRAPHY: |
| My paintings are openings to another dimension of reality, where people, objects, relations and emotions, the landscape of everyday life have their own truth. In the process of expressing these truths, I am opening up my understanding of the medium aswell as of the world around me through the use of colour, form, structure and gestural marks. |
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| CALIN BABAN |
| myartspace id:BABAN |
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| Frank Cappello |
| myartspace id:cappart |
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| Abstract paintings
Digital photography |
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| Richard Crookes |
| myartspace id:Crux |
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| rai escale |
| myartspace id:raiescale |
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| Spent half life travelling after nearly graduating in fine arts and having thrown brushes.
Been painting again since ten years and now at last only painting and travelling to paint. |
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| Bill Jackson |
| myartspace id:jackson1953 |
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| Bill Jackson graduated from Coventry School of Art and Birmingham School of Art . He first exhibited at The Photographers Gallery London, in the exhibition Fleeting Gestures The History of Dance Photography selected by Bill Jay of the ICP Gallery in New York. In 1986 he began working with early computer graphic systems and by 1991 this experimental work using film and digital combinations were shown at a conference on the future of photography at the National Museum of Photography, Film and Television (now the National Media Museum) in Bradford. Jackson was one of the first UK film based photographers to go over to digital imaging in 1985/6. He lives and works in London. His work is in many private and art trust collections.
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| Kevin Jurva |
| myartspace id:artbyjurva |
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| jonathan Hayter |
| myartspace id:joffe |
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| watch this space!........am currently producing work that will be online here shortly...YES i AM - IT JUST TAKES TIME THATS ALL! |
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| Tyson Crosbie |
| myartspace id:tysoncrosbie |
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| Hung Viet Nguyen |
| myartspace id:monkool |
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| Artist Hung Viet nguyen was born in Saigon Vietnam in 1957. He escaped by boat to Philippines, and settled in US in 1982.
Artist Nguyen was selected to participate in juried art exhibitions at galleries, art centers, and museums spanning from California to New York. He has many works in galleries that feature artworks on a regional, national, and international basis. His artworks are in private collections in Canada, France, United Kingdom, United States, Vietnam.
"The end result of a painting is a pleasant reward, but it is not as important as what I experienced during the creation process. I have struggled with conflicting emotions, with falsity and truth, hope and despair, joy and sadness, comfort and pain, loss and revelation̢̢̮ââ¬Å¡Ã¬ÃâæThe journey of solitude to the unknown to explore new spaces, forms, colors, and my true self." |
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| Dott Schneider |
| myartspace id:dottschneider |
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| BIOGRAPHY: |
| It started as a mere observation of human interaction with the environment, a fragile skeleton of an old woman feeding pigeons that were fatter than she. This led me to an image of a grossly obese woman feeding pigeons, only the pigeons were skeletons and they were very, very nervous.
Nervous Bird continues to evolve.
The majority of these works are mixed media paintings including, but not limited to, the use of motor oil, gold leaf, makeup pigments, oil paint, graphite & auto body paint. There are some illustrations and a large installation piece that includes a bird/human hybrid and nests. The installation is titled "At What Cost?"
Currently working on a short animated film using various techniques as an extension of my new work, Nervous Bird II: Riddles. Also working on Eaten by Predators/Dissected by Children, which is a mixed media series based on rat bones that have been excavated from owl pellets by children at Lied Discovery Children's Museum in Las Vegas, Nevada
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| christina frederick gasperi |
| myartspace id:christinafrederickgasperi |
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| German Saez |
| myartspace id:germansaez |
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| Wolfgang -bookwood- Buchholz |
| myartspace id:bookwood |
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| BIOGRAPHY: |
| 1974 Abitur, Kiel
1976-82 Studium an der HdK Berlin, 1. Staatsexamen
1981 Meisterschueler bei Prof. Kaufmann
1985 2. Staatsexamen
seit 1985 Kunsterzieher am Gymnasium Schloss Ploen
Ausstellungen und Ausstellungsbeteiligungen
1974 20.Landesschau, Kunsthalle Kiel
30., 31., 38. Landesschau
1979 1. Mai-Salon, Haus am Luetzowplatz, Berlin
1980 1. Mai-Salon, Haus am Luetzowlatz, Berlin
1981 1. Mai-Salon, Haus am Luetzowlatz, Berlin
1982 1. Mai-Salon, Haus am Luetzowlatz, Berlin
1984 Brunswiker Pavillon, Galerie
1984/85 Stadtgalerie Kiel, Einzelausstellung
1987 17. Sommerausstellung im Schloss Ploen
Villa Flath, Bad Segeberg mit K. Kaeselau, D. Pape, V. Rothmaler;
Slesvig-Holsten-Art, Kopenhagen und Svendborg
1988 18. Sommerausstellung im Schloss Ploen
Multiple Art, Klosterkirche Preetz
1989 19. Sommerausstellung im Schloss Ploen
Schleswig-Holsteini Kunstnikud in Tallin, Narva, Kothla-Jaerve und Norderstedt
1993 Multiple Art, Ploen
1994 Galerie Leviathan, Bordesholm , Einzelausstellung
1995 Schwentinehaus Ploen Einzelausstellung
1996/97 Oberverwaltungsgericht Schleswig, Einzelausstellung
1997 Projekt "Crossfade" mit Hans-Peter Klie, Berlin
1998 Brunswiker Pavillon "Kuenstler aus dem Kreis Ploen
1999 "Aufbruch", Installation Nikolai-Kirche, Ploen, Multiple Art, "Kopf", Haseldorf und Kiel
2000 Multiple Art "Wundermaschine";
Raiffeisenbank Ploen Einzelausstellung
2001 "Kirchen(t)raeume", Oekumenisches Kunstprojekt
in Karlsruhe, Bergzabern, Wissemburg
Katalog
Projekt "Omradet", Drangedal, Norwegen
mit Hans-Peter Klie, Berlin
2002 Serien von multiplen Unikaten aus Schieferplatten fuer die Nikolai-Kirche Ploen Installationen "Gratwanderung", "per aspera ad astra", Nikolai-Kirche, Ploen
2003 Multiple Art "Foff Tein", Kiel und Norderstedt
2005 "Wasserstelle-Zone1", Nikolaikirche Ploen
Installation
2006 "enchanted-places", photographic series
"figures in progress", drawing series
2007 " displaced", installation Nikolaikirche, Ploen
2008 "ARS MULTIPLICATA II", Brunswiker Pavillon, Kiel
Oeffentliche Ankaeufe: Stadtgalerie Kiel, Stadtbilderei Kiel, Kreis Ploen
http://www.buchholz-kunst.de
http://www.deerman.de
http://www.ghosttrack.de
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