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| Richard Lazzara |
| myartspace id:shankargallery |
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| BIOGRAPHY: |
| Art for the Soul by RICHARD LAZZARA http://www.shankar-gallery.com/contact.html
http://www.shankar-gallery.com
http://www.myspace.com/richardlazzara
http://www.absolutearts.com/portfolios/s/shankargallery/
http://artscad.com/@/RichardLazzara
http://artscad.com/@/ShankarGallery
http://www.absolutearts.com/portfolios/t/thangkashankarsalon/
http://www.hometownartgallery.com/art/Richard_Lazzara/
http://art.la-passerelle.net/art_pages/richard_lazzara/links.html
http://www.artmajeur.com/shankargallery/ |
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| Studio 245 |
| myartspace id:Studio245 |
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| Carolyn Bishop |
| myartspace id:toydoggie |
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| BIOGRAPHY: |
| I began painting in the late 60's when I lived in Chicago. I was a natural abstract painter, and I was mentored by a well know painter with a masters degree in art from Champaigne University. After divorcing my husband, I was left to raise my 2 children. Eventually Corporate America and raising children took up all of my time a zapped my creative energy. I retired out in Southern Utah near St. George, and fell in love with the red rock mountains, and all the varieties of color in the parks.
I also adore painting my feelings about my environment on canvas. They are on my web site under Contemporay work. |
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| Philip Sommer |
| myartspace id:zenbrutalism |
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| Abdul |
| myartspace id:pesk21 |
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| Paul McConnachie |
| myartspace id:pmgunk |
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| BIOGRAPHY: |
| A practicing artist fur many a moon am teaching to fund paints etc. Interested in ahin. Wit eh boot U? |
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| neta gov |
| myartspace id:netagov |
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| Christian Mazzuca |
| myartspace id:christianm |
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| Derek McCrea |
| myartspace id:derekmccrea |
| Personal Store:http://www.nyaxe.com/derekmccrea/ |
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| BIOGRAPHY: |
| Biography of Derek McCrea
Derek 's Art Blog is at http://watercolorpaintingart.blogspot.com/
Derek's primary gallery featuring hundreds of his works are at http://www.derekmccrea.50megs.com His works include watercolor, pen and ink and oil lighthouse, flower, barn, landscape, southwestern, impressionistic paintings.
Derek McCrea is a US Army Infantry Combat Soldier with two tours in Iraq with the 3rd Infantry Division, and this is his stress relief. He has always loved to paint; it allows him to express emotions on paper and relax. Derek paints in a whimsical impressionistic style in plein air settings. He was born in Albany, Georgia on February 19, 1969. He presently resides with his wife, Sheila, of 20 years and his two sons, in El Paso, Texas. He first started painting with oils in the summer of 1984. From 1985 to 1986 he painted under the instruction of Jimmy Peterson, a well known artist from Georgia.
In 1986 he won 1st place in the Georgia Arts Exhibition. Derek joined the United States Army in 1987 and continued self study and painting on landscape subjects in France, Holland, Germany, Italy and Hungary, painting in the plein air style. Derek's works can be found in over 75 locations worldwide. These locations include galleries in North Carolina, Georgia, Spain, France and Austria, frame and arts and craft shops in the Southeastern United States and numerous online galleries. He won the artist of the week in August for Art Gallery Online while competing against 11 other artists. He has completed over 20 commissions in the past couple of years.His art was selected for the cover of The Eclipse. The Eclipse is a publication where poets write about the artwork of a selected artist once per quarter. 6 of Derek's works were selected for this publication. Derek's works can be found in Fayetteville, NC in PJ's Fine Art Gallery and the Graphic Design Firm.
His works were most recently placed in B'zzzzz Expressions in Douglas, Georgia, in The Market Square Gallery in Varnville, SC, and in "Just What I Like" in Lawrenceville, GA. Derek's works were featured in LIA Life is Art Magazine in Aug 02. His last exhibition was in October 2002 at the Chateau Elan Vineyard in North Georgia. His works were most recently featured in Lighthouse Magazine (June 04), Skyline Magazine (May 04), Shadow Poetry Quill (March 04), and New Works Review (March 04). His works are scheduled for publication in the Spring 2007 New Works Review Magazine. Derek has donated several artworks to non-profit and charitable organizations in the past, the most previous being in February 2007 to a Christian Mission Hospital in the ward for HIV children run by John Meyer Ministries in India.
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| Tim Noonan |
| myartspace id:timnoonan |
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| Cindy Fletcher Holden |
| myartspace id:cfholden |
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| BIOGRAPHY: |
| freelance fine and commercial art.
web site is www.fletcherart.net |
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| Olivia Su |
| myartspace id:oliviasu |
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| BIOGRAPHY: |
| Growing up in suburban, North Carolina, I never got a Nintendo 64. Therefore I passed the time with art. Who knows how different my life would have been today had I received that gaming console. |
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| Kelly Billette |
| myartspace id:kbillette |
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| BIOGRAPHY: |
| I have devoted my life to art.
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| Lida van Bers |
| myartspace id:LVB11733 |
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| BIOGRAPHY: |
| Lida was born and raised in the Neterlands but lived in Canada most of her life. She had a short nursing career in Ontario. While rarising her 5 children she studied and practice performing arts. Although she was successful and happy, she became restless.
Life took an unexpected turn when she moved to Vancouver Island. A new road opened up in Visual Arts.
After many courses, study and practice her life had a new meaning. Now many years later she loves the challenges and the many ways she can explore her art. |
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| bülent morgök |
| myartspace id:bulent |
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| BIOGRAPHY: |
| Bülent Morgök was born in istanbul-Turkey. He graduated from the Painting Department of Marmara University in 1985. At the moment, he is continuing his painting, grafik novel, cartoon and 3d video art at his workshop. you can see other works bulent morgok portfolio on the web: http://www.bulentmorgok.com/ |
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| C.S. Lawrence |
| myartspace id:carlaw |
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| carolyn halliday |
| myartspace id:cghalliday |
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| BIOGRAPHY: |
| I am a textile artist who hand knits wire and other nontraditional materials into sculptural and quilt forms that often reference body, skin, and garments. I'm entranced by the exquisite beauty of a piece of bark, a stick, or a rock, letting them conceive a work for me, while also allowing the objects of my existence: chocolate, a scrap of metal, perhaps dictate a path. I intend to reference and challenge the historic ideals of body, magnify nature, and participate in the legacy of handwork that has perpetuated cultures. |
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| WolfTek |
| myartspace id:ganznormal |
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| Carrie Ann Watson |
| myartspace id:searlait |
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| BIOGRAPHY: |
| Hello! I am an artist in the US. I spend my time with my husband and three children. You can find my work in Westcliffe, Colorado as well as being able to buy prints and other products at http://www.artwanted.com/searlait. For information on original pieces email me at searlait@irishnation.com. Thanks for coming to my page and viewing my work today! :) |
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| A.H. Klein |
| myartspace id:analice |
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| Igor Misyats |
| myartspace id:artmisyats |
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| gordon milne |
| myartspace id:gmilne |
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| A Canadian artist, Gordon Milne was born in Hamilton, Ontario in 1953. He attended McMaster University where he majored in printmaking and sculpture and graduated with a BFA in 1974.
Early in his career Milne worked as a printmaker � producing original drawings, etchings, woodcuts and linocuts that he exhibited and sold privately to individuals and corporations. During this period he was represented by Highstreet Gallery in Calgary and Paperworks Gallery in Vancouver.
In 1982, while Gordon was in Australia, a devastating flood at Highstreet Gallery ravaged most of his artwork leaving little to show from the 70's. At this transition Milne shifted his attention to graphic design, founding Dream On Art & Design. While operating his design business Milne continued to work quietly and diligently on his own artwork splitting his time between the fine arts and the graphic design worlds.
Milne's new studio practice altered his focus from printmaking to painting � allowing him to explore the possibilities of a media and a subject matter he had not yet considered. Turning to a figure-based compositional foundation he began to consider complex relationships between men and women, sons and daughters, athletes and dancers, cross dressers and transgendered persons � representations that reflect an intense examination of everyday life, of our varying lifestyles and of our place in the world.
These portraits incorporate an intricate arrangement of different shapes and colours, all of which relate and interplay with one another � subtly inviting the viewer to identify the subject's personality based on optical cues. These monumental portraits are Milne's biggest accomplishment and his trademark today.
At present, Milne is working on a series of commissioned private portraits as well as portraits of dancers with the Alberta Ballet. He is also actively involved in the Sport Heroes Project � a series of portraits of Canadian Olympians in association with the Canadian Sport Centre. |
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| Emma Whitley |
| myartspace id:gossamerfaerie |
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| Alic Trossman |
| myartspace id:alic |
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| BIOGRAPHY: |
| Born in 1972 in L'viv,Ukraine(USSR).
Since 1990 live and work in Tel Aviv,Israel.
1997-2001
School of Visual Arts "Camera Obscura",Tel Aviv
2005-2006
Postgraduate Art Program "The Fifth Year",Kalisher Art School,Tel Aviv.
AWARDS:
2002/3
America- Israel Cultural Foundation
SOLO EXHIBITION:
"Balcony" Art&Music Place,Tel Aviv,2004
GROUP EXHIBITIONS:
"Fresh Paint", Art Fair,Tel Aviv, april 2009
Vienna Biennale 2008, Postmodestie Gallery, Vienna, october 2008
"Einfuhlung X6", Kayma Gallery, Tel Aviv-Jaffa,october 2008
"Imagination",Hapoalim Bank,Tel Aviv,february 2008
"The Fifth Year",Ramat Gan Museum of Israeli Art,november2006-january 2007
"Secret Art",Israeli Art, Leumi Bank,Tel Aviv,2006
“Mishgal Nasog”, Hamadhes Alternative Gallery, Tel Aviv,october 2006
"Amendicons Project",Makor Gallery,New York,october 2006
"Without Early Notice",Barbur Gallery,Jerusalem,september 2006
"White Night",Bialik House,Tel Aviv,june 2006
"Artic 5",Ramat Gan Museum of Israeli Art,2003
"Short Series",Camera Obscura Gallery,Tel Aviv,2002
I was born and raised in the city. Since my childhood I felt the city is made of urban tracks connecting different points: house, daycare, work, friends. Each street had a spatial function and I chose a track within it according to my objective.
My works, even the early ones, expressed a dialogue with space, with open places in which random tracks and human interaction integrate. I aspire to capture the individual in his own scenery and unveil the way he relates to it.
In these current works I explore conflicts and different balances of powers. I cross the city while capturing the movement of the lines which break through the urban boundaries and draw new horizons in it. The material seems heavy and sealed. The relationships are reciprocal with a personal touch, Russian constructivist influence, exaggerated grayness, and a layer of concrete or blocked labyrinth.
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| Angelica Trompieri |
| myartspace id:angelique |
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| BIOGRAPHY: |
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| D. L. Traylor |
| myartspace id:traylordl |
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| Laurin Jeffrey |
| myartspace id:lopix |
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| I am a real estate agent and a photographer, blending the two passions into the work you see. Selling condos and lofts, I am very cognizant of the pace of development in this city. I love seeing the conversion of an old factory into lofts - even more when I see the same joy in the face of a client viewing such a unit.
The world is filled with structures, some forgotten and others well-loved. What stories do these buildings have to tell, what scenes have these stones witnessed? Why is the human race so obsessed with erecting these monuments of metal and brick - and why do they so carelessly abandon them when they are no longer needed?
These are some of the questions I like to address in my photography. I spent many of my formative years in a small town north of Toronto and witnessed many old farms left to rot. It was these old barns and silos that originally piqued my interest in the forgotten and the decayed. In college, photography was major, drawing me in like no other course. It was then that I saw the potential to marry these structures with the camera's ability to document.
From there, I became involved with friends and their bands, working with them to produce promotional pictures as well as CD covers. Unfortunately, life and work intruded and time became less available. More recently, (coinciding with my discovery of digital imaging) my career in real estate has freed up some time to once again pursue this fascination, to be able to indulge my creativity again.
Now exploring the urban, rather than rural, landscape, I am hoping to bring the documentary power of the camera to Toronto's hidden areas. With ever increasing publication credits and gallery exhibitions to my name, I am hoping to gain a wider audience for my work.
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| Damon Kowarsky |
| myartspace id:damonlk |
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| BIOGRAPHY: |
| Damon Kowarsky studied printmaking at the Victorian College of the Arts and Glasgow School of Art, and Advanced Figure Drawing with Godwin Bradbeer at RMIT. In 2000 he graduated from VCA with a BFA [Honours] in Printmaking.
Since graduating he has made prints and worked as a archaeological, courtroom, and scientific illustrator. In 2002 he received an Ian Potter Cultural Trust Grant to travel to the western deserts of Egypt and assist as an archaeological illustrator for the Dakhleh Oasis Project.
In early 2003 he undertook a residency at the Townhouse Gallery, a contemporary arts space in downtown Cairo. On returning to Australia he was awarded a 2004 Australian Print Workshop Collie Print Trust Emerging Victorian Printmakers Scholarship.
'This was a fantastic opportunity to work through the many ideas and drawings I made overseas. I was particularly influenced by the stone and mud-brick architecture of Tunisia and Morocco with its fortifications, baroque details, and light and airy domes.'
In late 2005 Kowarsky travelled through Yemen, Djibouti and Ethiopia. The unique and very distinctive architecture of the region, and the colours of mud and stone, found their way into much of the work made during 2006.
Most recently he has returned from four months living and working in Mexico, including time at Taller Bambu, Oaxaca.
'It was an astonishing experience, and I was amazed at the richness and variety of the local art and artesania. Mexicans have an obvious love of the visual world and fill their images with pun, humour and invention. Not to mention the glitz, glamour and aesthetic free-for-all of the markets and fiestas.'
Kowarsky continues to print on a regular basis at the Australian Print Workshop in Fitzroy. He is currently working towards future shows and travel in the Near East.
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| Adalberto Lütkemeyer |
| myartspace id:artelutkemeyer |
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| Modern arte |
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| Edward Torres |
| myartspace id:eddiemambo |
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| josh chaney |
| myartspace id:jstarart |
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| kristin challman |
| myartspace id:chall |
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| BIOGRAPHY: |
| born and raised in the calumet region . graduated indiana university 2002 with a bachelors in studio art. i love to be outside, and camp. i listen to music constantly and try to got o as many concerts as i can. i used to play the guitar, but recent events have made it alot harder for me to do that. i had a near death experience in 2005 and had to quit both of my jobs. so i decided to try and use my talents and skills from art school to try and make some money, so now i am a commissioned portrait artist.
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| Jawara Blake |
| myartspace id:Jawara318 |
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| I am a painter and I love it. I have painted and drawn and written all my life. It makes me feel good. I'm a nice guy who wants to be a great painter and does lots of shows all year long every year so I can get closer to my dream. I'm told I'm funny. |
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| Uwe Schein |
| myartspace id:ewu2350 |
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| BIOGRAPHY: |
| ORDER OF HANDWRITING
Dr. Kurt Jauslin, art critic, on the exhibition of the "Schein-Drawings". July 2nd, 2003 in Erlanger Nachrichten.
Translation from Nicole Tomasek.
It´s not easy for graphic artists, if they don´t switch to illustration, caricature or other applied forms of their profession. Hans Friedrich Uwe Schein doesn´t do anything like this. The graphic artist from Heidenheim studied at the Academy of Arts in Berlin in the Seventies and lives in Nueremberg since 1998. For him pen drawing is the autonomous way of expression. His only one. Schein´s drawings emerge from handwriting, which develop with them simultaneously. The pen that slides over the pages is a generator of signs, it brings out a cosmos of signs, from which the pictorial order is born. In the process it doesn´t matter if the result is objective or abstract. Handwriting is never abstract, because it places characteristic signs, that refer to its inventor. In Schein´s world of signs the emerging of pictorial order is thematical: A moving order. The handwriting fills the empty page with signs while time is passing. The hand moves constantly and creates a chaotic abundance of signs. Accordingly from the rhythm of beginning and repeting, a glimpse of order appears. Schein likes to play with his own name (i.e. meaning illusiveness, shine), which is also the central term of the whole aesthetic. "Chaos in order" is his name for a monumental series of paintings, refering to the original paradox, the creation of order out of disorder. But one doesn´t have to take this metaphysical allusion for real. According to the second law of thermodynamics, which already dates back 150 years, chaos is recidivism and standstill, the collapse of order results from the equilibrium of forces, the loss of energy.
Continuation:
Fast and slow drawings. Schein rightly relies on the energy his hand and transfers onto the paper. When the hand stops, order doesn´t collapse, but is maintained in its plural meaning in the standstill of the drawing. However, time in fact still plays a crucial role there. There´s no distinction between objective and abstract drawings, but between fast and slow ones. In the fast drawings the sketch uncovers the order contained in the scaffold of the lines. And often these are associations about the objective, which always appears as a transition motive i.e. when a face emerges from the branches. Since the Renaissance this is called anamorphosis. In the slow drawings, order disappears into the more and more morselled handwriting, which finally fills the whole format. From the signs of the handwriting, it develops a glimpse of a spatial order which is present in the difference between close and remote vision. Naturally, both formal principles are constantly merging. The ambition is not the containment of a doctrine, but the crossing of borders, which emerges from the endless motion of the handwriting. |
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| aimee margolis |
| myartspace id:art1show |
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| Boston born, Raised in New Hampshire, and buttered in Israel. Living now in New York City. My work has been shown in galleries and museums here and abroad and belongs to private and public collections. |
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| Kerry Cannon |
| myartspace id:KerryCannon |
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| Jason Hanasik |
| myartspace id:lightaberration |
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| BIOGRAPHY: |
| Jason Hanasik is an artist writer, independent curator and art educator. His work has appeared in various publications including the anthology Photography Now and JPG Magazine. In 2003, Hanasik was the recipient of the Patricia K Ross Award administered by the New York Foundation for the Arts and named a Thayer Fellowship Finalist. |
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| Annika Connor |
| myartspace id:AnnikaConnor |
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| BIOGRAPHY: |
| Annika Connor’s paintings capture the beauty of an ephemeral moment with the intention of inspiring the viewer’s imagination.
In 2002, Annika received a Bachelor of Fine Arts from the School of the Art Institute of Chicago where studied painting and philosophy. In the Summer of 2005 and 2006, Annika attended the School of Visual Arts Summer Residency Program for emerging and mid-career artists.
Over the past five years, Annika has worked professionally as a painter in New York and London and participated in numerous exhibitions in California, Chicago, Atlanta, and New York.
Reviews and publication of her work have appeared in Art Papers Magazine, The Atlanta Journal Constitution, Creative Loafing Newspaper, C-Heads Magazine, and in many internet and local publications.
Annika Connor is Swedish American with dual citizenship status. She was born in Atlanta, GA and has lived in Stockholm, North Carolina, Chicago, Barcelona, New York, and London. Currently, Annika resides in Manhattan where she maintains an active studio.
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| Gavin de Lint |
| myartspace id:gdelint |
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| BIOGRAPHY: |
| Gavin was born and raised in Regina, Saskatchewan, Canada. He graduated from the University of Regina in 1993 with a Bachelor of Fine Arts with Distinction, majoring in drawing and minoring in film. He continued his education by accepting a scholarship from the Quickdraw Animation Society in Calgary, Alberta, where he made his first short film,
The Tale of the Steamin' Green Log. Upon completion of the film, he returned to Regina where he began his career
as a graphic artist. Since 1995, he has made his living in the arts: animating for television; designing images for t-shirts; creating content for the internet and working as a fine artist.
He lives with the 2 loves of his life: his wife Marissa and his son Jack. |
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| Maria Janosko |
| myartspace id:MariaJanosko |
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| BIOGRAPHY: |
| Graphic Artist. Fine Artist. Crafster.
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| Aisha Roper |
| myartspace id:miseriacordia |
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| I am a Eurasian hybrid and am proudly International.
Born in Singapore, moved to Peru before I could even walk, and lived in Ecuador and Argentina before settling into Jakarta, Indonesia. In Dec.2002, I made a difficult move to Bogota, Colombia before (thankfully) returning to Jakarta, Indonesia, which will always be my home.
Following my graduation from Jakarta Int'l School, I spent approximately 6 months living in Fremantle, Australia (an artsy town just outside of Perth), where I used my free time to experiment with and explore various forms of art.
I then returned to Jakarta where I landed a job as a Creative Director for Parama Entertainment, in which I was in charge of doing the graphic & web design, as well as being the in-house photographer.
I am currently studying in Savannah College of Art & Design (Savannah, Georgia) but will be transferring to the Royal Melbourne Institute of Technology (Melbourne, Australia) after May. I plan to major in photography and fashion design. |
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| TAPAN KAR |
| myartspace id:tapanarts |
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| Hi..
I am an Indian artist. |
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| Jens Kantsoe |
| myartspace id:Kantsoe |
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| Abstract painter. Works basicly with inspiration from the russian avangarde (Suprematismus) in a modern and contemporary perception. |
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| Patricia Van Lubeck |
| myartspace id:patje |
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| BIOGRAPHY: |
| In such a short time, Patricia Van Lubeck has quickly become a leading neo-surreal artist. Born in Amsterdam in 1965, Patricia's life has quite recently changed dramatically. She used to be book-keeper until 2000 when she started the 21st century by becoming a fulltime professional artist. She moved to the Bay of Plenty in New Zealand in 2005. Since then her work has taken a new direction.
Although her style is often regarded as surreal, her work does not strictly fall in that category. Her paintings are apparently simple in composition but executed amazingly detailed and visually very dynamic. Her paintings have realistic elements, but above all an alienating atmosphere. Her works in recent years show landscapes and weird plant species which she calls her 'psychedelic gardens'.
"I consider my work an invitation to explore the ways we experience our environment. My inspiration comes from the ordinary world around me. It's the artist in me that puts things in an unusual perspective. Compare it to a baker looking at a corn field. He sees bread, cookies and pies, I see shapes, patterns and colors. I often zoom in on an everyday object and imagine a landscape. I must have been an insect in a previous life!"
Remarkably, Patricia is a self-taught and self-starting artist. She sets a high benchmark for all her works and seeks to achieve a high level of craftsmanship. It takes her up to eight hours just to prepare the surface on some canvases. Then she oils up to 10 layers to achieve rich colors and a smooth finish.
"I am always trying to achieve high contrast within an unlimited colour range. I love working with geometric patterns. Before I started painting on canvas, my cars had always been willing victims to this passion. Consequently patterns, natural or artificial, form the foundation of a lot of my images."
Due to her time-consuming technique Patricia is only able to create about 10 paintings a year. She loves painting at night in her rural studio setting with no distractions, just the call of the ruru (a New Zealand native owl) to keep her company. Patricia thrives on the repetitiveness of her patterns. She feels the calming aura in concentrating with a small brush in her 'psychedelic garden'.
Since 2002, Patricia has exhibited in the Netherlands, Switzerland, Hong Kong, Australia and New Zealand.
She was a finalist in the 2006 James Wallace Art Awards. She was runner-up in the 2006 Tivoli Audio PAL Case design contest in the Netherlands. She reached the finals of the 2007 NZ Painting and Printmaking Award and her painting was choosen as the public's favourite. Two of her paintings feature in the 2008 Artfind calendar. |
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| Michael Ebel |
| myartspace id:ebelsart |
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| Eric Fluckiger |
| myartspace id:ericfluckiger |
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| Rokas Pralgauskas |
| myartspace id:rokas |
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| BIOGRAPHY: |
| i am a young, well shaped, shooting accurately - write letters to me |
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| myartspace id:stefania |
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| Chris Amos |
| myartspace id:amosartworks |
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| BIOGRAPHY: |
| I am currently employed full time and applying whatever spare time I can muster to my artwork. As a "self taught" artist, once every couple of years I would pick up a pencil and paper to sketch anything that took my fancy. Mostly portraits and pets. In more recent years, colour was introduced into my sketches using pastel pencils. After various courses with established pastel artists, I was further encouraged to use pastels to "paint" rather than sketch in colour.
Since April 2005 I have been focused on varying and improving my artwork from people and pet portrait sketches, to portrait paintings and landscapes in soft pastel, oils and acrylics.
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| Andrea Rossi |
| myartspace id:andrearossi |
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