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Roland Salazar Rose

myartspace id:Rolando

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All bio material on website: www.salazargallery.com Also, DVD bio: "Salazar" www.chiptaylor.com

jacqueline amos

myartspace id:jacquelineamos

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Biography Of Jacqueline Amos Jacqueline is a graduate of Medgar Evers College, Degree in Education, and minored in Arts Education Jacqueline Amos a publish Author, documented with the Museum of Modern Art, Brooklyn Museum, Shum berg Library Of Black Studies, Ethiopic Coptic Church Museum, American Artist Association, International Word Wide Registry, Harlem Gallery, Harlem State Culture Building, John F. Kennedy Performing Arts, Medgar Evers College Historical Art Archives, Brooklyn Counsel Of The Arts, Emerald Who’s Who’s Executives and Professionals, World Wide Artist, Humanitarian Award, Philippians and American People, Proclamation Noumi Arts (Borough President, Howard Golden Proclamation from, (David A. Patterson), New York State Senate, 29th District, Bedford Styvesant Art and Culture, Black Hero’s, Medgar Evers College Alumni Jacqueline has been feature on many live broadcast, the biography of Jacqueline Amos, City College Round Table Radio, Bcap, The Biography Of Lady Blues, Spiritual Train, T.V. The Biography Of Jacqueline Amos Author, Medgar Evers College Radio Part 1, Part 2, Black Women Artist, Mary Umolou, Jacqueline Also completed Sound Track with James GasKin, (Bad Boys Productions) Preacher in the Movie Goodnite Mr. Charlie, 18 one women shows in Art, as well as poetry. Name : Noumi Collections Nationality : United States Artistic Activity : Professional - Recognition Level : Well known Masters type of works : - Design - Mixed Media - Painting

Sarah Richards

myartspace id:Saera

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Niloofar Mehrad

myartspace id:Niloofar

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Born In Tehran 1978 - B.A in painting -MA in illustration from azad university of tehran. I have worked in advertising companies for 3 years after graduating, I am now working in my home office in Tehran I do graphic design works and illustration for well known companies and publishing firms in Tehran.

Charles Wildbank

myartspace id:wildbank

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Charles Bourke Wildbank, native New York artist delved into photorealism while at Pratt Institute, created a sensation on Fifth Avenue with a giant sparkling rendering of the famed Cartier diamond, and has painted portraits of David Hockney and the late Luciano Pavarotti. He is well known for his versatility of a wide range of figurative themes including florals, still life, portraits and seascapes. His latest achievements include two 18-foot-high murals commissioned by the Cunard Line for the new luxury ocean liner, the Queen Mary 2. Wildbank is listed with some of his works in "Deaf Artists in America: Colonial to Contemporary" book by Deborah Sonnenstrahl . He has conducted workshops at Poppi in Italy during fall of 2002 and Giverny in France during spring of 2006. To view Wildbank's complete records, please check his chronology page link. Up to present day, observable form and vivid color have long been attributed to Wildbank's art. His recent works appear to flirt with the abstract and the surreal christened as his HADO series. His studio in Jamesport is now open to the public by appointment.

Katja Morgenstern

myartspace id:katja

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maria spector

myartspace id:mariaspector

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Maria Spector was born and grew up in NYC. She received her MFA in painting from Queens College in 1999, her BA from Binghamton University, and an Ed.M from Harvard. Ms. Spector received Individual Artist Support Grants from the New York City Department of Cultural Affairs, Queens Council on the Arts in 2001 and 2003. In 2000 she received an Individual Artist Support Grant from the New York State Council on the Arts. She has shown at Omni Gallery, PS 122, NURTUREart and Gallery Korea.

Ritch Gaiti

myartspace id:rgaiti

BIOGRAPHY:

Ritch Gaiti ...paintings of another time, another place Ritch's ethereal paintings commemorate the west— a horse runs free on the open range; a buffalo oversees the plains that he rules; a proud people enjoy a rich culture and a oneness with the land. The paintings are about change, evolution, and extinction—something emerges, something disappears. Each represents the spirit of a time long gone. “My goal is to put the viewer, not only in another time and place, but also in the subject’s heart." The series is executed primarily in oils, enhanced with variety of mixed media including sand, to resonate with the ancient traditions. One of Ritch’s signatures is his use of textured layers, reminiscent of the relief found on cave walls. ”These proud people, their rich culture and tragic history, haunt and provoke me. Reliving their journey on canvas has been my passion— I dedicate this series to a simpler time.”

Suess Sadler

myartspace id:Suess

BIOGRAPHY:

As an Artist, I have always been interested in the factor of time. The time it takes to produce a piece. The time it takes to install a piece. And most importantly the time it takes to explore and understand the art work. Eleanor Hartney said in her book "PostModernism" that "minimalism reintroduced the dreaded ‘theatricality’, making the viewer part of the work by requiring him or her to ‘activate’ the sculpture by moving around it" But I feel this "theatricality" is an important part of art in today's society, a society that is driven by how fast one can complete a task. People talking on a phone, trading stock on their blackberry, eating a bagel, sipping coffee, all while driving 90 to nothing to work late. We need to slow down and let the time engulf us into understanding ourselves and the world around us.

myartspace id:stevenvg

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Alette Simmons-Jimenez

myartspace id:alette

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Simmons-Jimenez is a painter, sculptor and video installation artist. She currently lives and works in Miami, Florida. She was born in Madison Wisconsin, but before her first birthday her family moved to Italy. They were continually on the move and the artist attributes the eclectic nature of her work, in part, to the many different places where she grew up. She received a BFA from Newcomb College, Tulane University, New Orleans, LA, and soon relocated to the Dominican Republic, to live and work for 18 years. Her works have been exhibited internationally in shows held in the Musee du Luxembourg, Paris, France; CIRCA05, SanJuan, Puerto Rico; the US Department of State Art in Embassies Program, Tegucigalpa, Honduras; the Mobile Museum of Art, Mobile, Alabama; the Museum of Modern Art, Santo Domingo, Dominican Republic; the Museum of Latin American Art, Long Beach, California; the New Media Lounge, Palm Beach Institute of Contemporary Art, Lake Worth, Florida; the National Association of Women Artists Gallery, New York , NY; the Art Gallery/Inter-American Development Bank, Washington, D.C.; and at Texas A&M University, College Station, Texas, and at other institutionas and private galleries. Simmons-Jimenez is the recipient of numerous awards as well as State Fellowships & Grants. She is the founder and director of Artformz Alternative, an artist run space in the Miami Design District that produces bimonthly group projects with the collaboration of local and international artists of merit.

Beate Prahl

myartspace id:beate

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since 1996 visual artist

Giacomo Doni

myartspace id:giacomo

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Born in Florence (Italy) in 1980, studied as graphic artist at the “Istituto Professionale F. Datini” in Prato where he had the first experienced with photography related to pubblicity. He started as a game 4 years ago, shooting photos of abandoned areas, but the game has now become a passion and the passion a necessity: “When I enter an abandoned place, i see in front of me a world of testimony, object that have a story to tell, that are pleading to relate because they are wellforgotten by all: it’s as if I can hear them and shoot photos so they can speak out”. This “poem of the ruins” of the XX century, captured by the pixel of a digital camera, offers an update version of a theme very close to art of all times, from Piranesi to Füssli to Friedrich, only to name a few (si parva licet componere magnis). The “Ruins” of Doni dwell over a subject that symbolises, the crevice, the nibbling, the peeling, the breaking which are the abandoned building materials s well as those of the soul and the human weakness: for Giacomo Doni, its all that the contemporary society doesn’t show, covering it with the mediatic bombing that harasses us daily and makes us forget the awful, old, unhappy and poor objects and people, that are part of the world.

CushmoK

myartspace id:CushmoK

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Hello, I'm a french Artist living in FRance at that time. I take photographs principally in a b&w way. I work at that time on a special theme : presence. Long time exposure to get only shadows of people, trying to revelate human presence of the spaces... I'm a sculptor too. I work with Iron wire, wood and ceramic. I love to create small stories using old objects in a new way. Please forgive my poor english, not very fluent I am ! cordially, CushmoK

Alexandra Rozenman

myartspace id:Rozenman

BIOGRAPHY:

Born: Moscow, Russia, 1971 Art School: 1976-1988 Participated in Russian Underground art movement and studied with Grisha Bruskin Immigrated to America: 1989, landed in L.A. Moved to New York in 1991 BFA in Arts from SUNY: 1993 MFA in Fine Arts and theory from Boston, Museum School Represented by Clark Gallery in Lincoln, MA 2001: lives in Minneapolis, MN 2006; MacDowell Fellowship

mark mcgowan

myartspace id:markmcgowan

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Mr. McGowan lives and works in London. Mark often deals with topical local issues and involves local people from Peckham and Camberwell as participants- often tackling serious issues from a humorous point of view. He is currently represented by the Guy Hilton Gallery. His performances have been covered by the BBC.

Jennifer Sandquist

myartspace id:aRtEmIs

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Francis Domec

myartspace id:francisdomec

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Emily Bush

myartspace id:emilybush

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I'm surrounded by this artful life, sticking my amateur neck out into the virtual art-networking highway.

eric hay

myartspace id:thestrnger

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I grew up in a small town in tennessee where I had a voice and everyone heard it. When I was fifteen, my family moved to the suburbs and I just became a number. A voice amongst the crowd. Where each house repeats a mold. I work a meaningless dead end job every day, but come home and create art as an outlet. Art is an escape from everyday monotony.

ELIZA GEDDES

myartspace id:elizageddes

BIOGRAPHY:

Geddes’ sculpture work examines her interests in surface and texture, tension and restraint. Geddes uses a multimedia approach combining painterly methods with sculptural uses of space. Works are often made from canvas torn apart or built up in some way, then restructured using other various often unconventional materials.

Rachel Coyle

myartspace id:RachelCoyle

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Matthew Tung

myartspace id:mtung

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Olivea Shure

myartspace id:Olivea

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Alicia Villarreal

myartspace id:Alicia2Villar

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Visit my store at: http://www.cafepress.com/alicia_V Art by Alicia Villarreal Artist/Musician NOTE: MUSIC Rocking Future (C)2005Alicia Villarreal Artist/Musician

Leandro Comrie

myartspace id:leandro

BIOGRAPHY:

Son of a Venezuelan mother and Panamanian father, Leandro Comrie-Pepi­n was born in Brooklyn, New York on July 14th, 1973. He grew up in Caracas, Venezuela where he developed and nurtured his passion for art. In 1992 he returned to New York and began studies at School of Visual Arts where he focused on drawing, and painting, but also explored other currents such as sculpture and etching, among others. His work is in constant evolution influenced mainly by his travels and experiences with different cultures. These journeys have led him to live in cities such as San Juan and Ponce in Puerto Rico, Cologne in Germany, Caracas and New York, cities which have always been closely knitted to his life history. Through these experiences he has developed a kin sense for adaptation. Social mobility and the marginalization of individuals have become an important element in his approach to his artistic work. Drawing from nostalgia, alienation, self-alienation, adaptation, assimilation, language barrier, cultural differences and cliches, human interaction and emotions, his work has become focused on human nature. As a multicultural individual, his approach to both life and art are strongly bound to everyday life and human interaction. He has lived in four different countries, and in the last years divided his time between Germany and the United States. The most important side of his works is human interaction, the differences between cultures and how we, as individuals perceive our own lives in different societies. The social aspect of life allows him to delve into the human social psyche and opens an avenue of dialogue between the viewer and the work itself. At times his work expresses the beauty of society and cultures, drawing from folk tales, music, literature and landscape. Other times, his work tackles the harshness found in everyday life, routines, commutes, and the vicious circles in which sometimes humans seem to dwell. This dichotomy is a key element to understanding his approach to art and the effects his work has upon the viewer.

Elena Ro

myartspace id:elenaro

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ELENA RO INFORMACIÓN PERSONAL ? LUGAR DE NACIMIENTO: LA HABANA, CUBA. ? NACIONALIDAD: MEXICANA ? DIRECCION: 2DA. CDA. CASTORENA NO. 75 C 11 CUAJIMALPA, MEXICO, DF. ? TLFNS. (5) 812 33 82 Y TELEFAX (5) 813 64 08 ? CORREO ELECTRONICO: elenaro@prodigy.net.mx ? PAG. INTERNET: www.elenaro.com ESTUDIOS NACE EN LA HABANA, CUBA, AGOSTO 18, 1949. CIUDADANIA: MEXICANA. ESTUDIOS DE LICENCIATURA EN CIENCIAS Y TECNICAS DE LA COMUNICACION, UNAM 1970. TALLER DE FOTOGRAFIA CASA DEL LAGO, MEXICO 1972. TALLER DE DIBUJO Y PINTURA DEL MAESTRO ROBIN BOND Y MARTA RAMIREZ. TALLER DE DIBUJO DEL MAESTRO CARLOS GARCIA DE LA NUEZ. TALLER DE PINTURA Y TECNICAS DE EXPERIMENTACION DEL MAESTRO CARLOS GARCIA DE LA NUEZ. 1999-2000 DIPLOMADO EN EXPERIMENTACION ARTISTICA, UNIVERSIDAD IBEROAMERICANA, STA. FE, MEXICO, DF. 1999-2001 ACADEMIA DE SAN CARLOS, MÉXICO, DF. 2000-2001 CURSO DE PINTURA ABSTRACTA, UNIVERSIDAD IBEROAMERICANA, STA. FE, MEXICO, DF. 2000-2001 DIPLOMADO “ESTUDIOS DE ARTE” UNIVERSIDAD IBEROAMERICANA, STA. FE, MEXICO, DF. ACTIVIDAD PROFESIONAL DURANTE 16 AÑOS DEDICADA AL DESEMPEÑO DE LA ACTIVIDAD DE PLANEACION DE ESPACIOS, ARQUITECTURA DE INTERIORES Y DEL PAISAJE, ES HASTA FINALES DE 1994 CUANDO SE DEDICA A LAS ARTES PLASTICAS EXCLUSIVAMENTE. OBRAS DEL ARTISTA EN COLECCIONES PRIVADAS EN SAO PAULO, BRASIL; MADRID Y MARBELLA, ESPAÑA; MUNICH, ALEMANIA; PARIS, FRANCIA; FLORIDA, OREGON, NEW YOK, PHILADELPHIA, HOUSTON, NORTH CAROLINA, PUERTO RICO, USA. , HOLANDA, CHILE; JERUSALEM, ISRAEL, ARABIA SAUDITA Y MEXICO ENTRE OTROS. EXPOSICIONES PERSONALES PINTURA, 1995 GALERIA CASA BOSQUES, MEXICO, DF. PINTURA, 1996 DELEGACION CUAJIMALPA DE MORELOS, MEXICO, DF. LA MAGIA DEL PINCEL, PINTURA, 1996 RIVADENEYRA GAMBOA, CORREDORES DE ARTE, MEXICO, DF. EL PATIO DE MI CASA, PINTURA, 1997 CENTRO ASTURIANO DE MEXICO, AC. COL. POLANCO, MEXICO, DF. PINTURA 1998. GALERIA DE ARTE LAS BRISAS, ACAPULCO, GRO. PINTURA 1999. RECOLETA GOUDA ART GALLERY, C.C. INTERLOMAS, NOVIEMBRE 16- 30, 1999 MEXICO, DF, DESENCUENTROS, GALERIA CULTURAL, COL. POLANCO, MEXICO, DF., NOVIEMBRE DEL 2000 PINTURA, 2001, EN TRANSITO, ESTACION DEL METRO PINO SUAREZ, LINEA 2, MEXICO, DF. PINTURA, 2002, FORMAS AMBIGUAS, CENTRO COMERCIAL STA. FE, MEXICO, DF, AGOSTO - SEPT.2002. PINTURA, 2002, TRANSICIONES, GALERIA DE AUTOR, OCTUBRE 2002, LOMAS DEL CHAMIZAL, MEXICO, DF. PINTURA Y GRABADO, 2003, HOSPITAL ANGELES DEL PEDREGAL, DEL 9 AL 14 DE JUNIO DEL 2003, ANTESALA DEL SALON DE CONGRESOS, MEXICO, DF. SIGNOS, 2005, GALERIA DE AUTOR, NOVIEMBRE 2005, LOMAS DEL CHAMIZAL, MEXICO, D.F. EXPOSICIONES COLECTIVAS MUSEO DE BELLAS ARTES DE TOLUCA, 1995 PRESENCIA DEL JARDIN DEL ARTE, TOLUCA, EDO. DE MEXICO. GALERIA CASA BOSQUES, 1995 COLECTIVA OTOÑO INVIERNO, MEXICO, DF. GALERIAS INSURGENTES, ITINERANTE, 1995, MEXICO, DF. V GRAN FERIA DEL ARTE 1995, TECAMACHALCO, ESTADO DE MEXICO. RAMADA MEXICO CITY HOTEL, 1995, COLECTIVA. PALACIO MUNDIAL DE LAS FERIAS, 1995, MEXICO, DF. GALERIAS INSURGENTES, 1996, MEXICO, DF. GALERIA CASA BOSQUES, 1996, COLECTIVA DE PRIMAVERA. XXVII FERIA DEL ARTE, THE AMERICAN SCHOOL FOUNDATION, A.C. MEXICO, DF. 1996. VI GRAN FERIA DEL ARTE 1996, TECAMACHALCO, EDO. DE MÉXICO. PALACIO MUNICIPAL DE TLALNEPANTLA, 1996, TLALNEPANTLA, CD. HERMANA DE LA HABANA. MUESTRA COLECTIVA ARTE INTERNACIONAL LATINOAMERICANO, GALERIA TRESS, MEXICO, DF. 1996. THE GREAT FRAME UP, 2190 W 11TH AVE. EUGENE OR. U.S.A. DANZA DE COLORES Y SENSACIONES, 1997 REST. LA TALAVERA, HOTEL CASABLANCA, MEXICO DF. XXVIII FERIA DEL ARTE 1997, THE AMERICAN SCHOOL FOUNDATION, AC. MEXICO, DF. PRIMERO... LA VIDA 1997 SALON CALDERS DEL HOTEL LOS DEL ´97, ENERO 1998. CENTRO ASTURIANO DE MEXICO, AC. LA MAGIA DE VIVIR 1998, EL SERVICIO DE ADMINISTRACION TRIBUTARIA DE LA SECRETARIA DE HACIENDA Y CREDITO PUBLICO, DEL I.S.S.S.T.E, FEBRERO 1998. RETRATOS Y AUTORRETRATOS. 1998 CASA DE LA CULTURA, GALERIA IXCATEOPAN. ACAPULCO, GRO. MARZO 1998. RUMBO A FLORENCIA ¨99”. GALERIA DE ARTE SAMUEL MENACHE. MEXICO, DF. ARTISTA SELECCIONADA PARA PARTICIPAR EN LA II BIENAL INTERNACIONAL, FLORENCIA 1999. MARZO 1998. UNA MIRADA A LA NIÑEZ, GALERIA JORGE CONTRERAS, JARDIN DE SULLIVAN, ABRIL, 1998. UNA MIRADA A LA NIÑEZ, S A T, ABRIL 1998. RECORDANDO LA NIÑEZ, INSTITUTO NACIONAL DE PEDIATRIA, UNIDAD DE COMUNICACION SOCIAL, MAYO `98. II BIENNALE INTERNAZIONAL DEL ARTE CONTEMPORANEA SALON DE MEXICO, FLORENCIA, 1999. GALERIAS MENACHE, JULIO 1998. XXIX FERIA DEL ARTE THE AMERICAN SCHOOL FOUNDATION, AC. NOVIEMBRE 1998. PRESENCIA DE MEXICO EN BULGARIA. NOVIEMBRE 28/98 DICIEMBRE 17/98. GALERIA DE LA CIUDAD DE SOFIA EN BULGARIA. LA VITRINA DE FLORENCIA, FLORENCIA, ITALIA, DICIEMBRE `98. FERIA DE ARTE INTERNACIONIAL SEGUNDA EXPOSICION COMITÉ DEL VOLUNTARIADO DEL INSTITUTO NACIONAL DE LA NUTRICION SALVADOR ZUBIRAN MARZO 1999 MEXICO, DF. PINTURA, RECOLETA GOUDA ART GALLERY, CENTRO COMERCIAL PLAZA LORETO. JUNIO13-30, 1999. PINTURA, RECOLETA GOUDA ART GALLERY, CENTRO COMERCIAL PLAZA CUICUILCO, AGOSTO 15-30, 1999 “FIESTAS MEXICANAS,” RECOLETA GOUDA ART GALLERY, SEPT. 1-16, 1999 CENTRO COMERCIAL PLAZA LORETO, CIUDAD MÉXICO. “ESTILOS Y COLORES”, GALERIA DE ARTE, CLUB HIPICO ARGENTINO, BUENOS AIRES, ARGENTINA SEPT. 21, A OCT. 10, 1999. 3ERA. EXPOSICION DE OBRA PLASTICA DEL COMITE DE VOLUNTARIADO, INSTITUTO NACIONAL DE NUTRICION, SALVADOR ZUBIRAN, MARZO DEL 2000, MEXICO, DF. “LEYENDO OTRAS REALIDADES”, TEC DE MONTERREY, DEPARTAMENTO DE DIFUSION CULTURAL, EDO. DE MEXICO, AGOSTO DEL 2000. SUBASTA DE ARTE, LA GALERIA 10/10. 5 DE DICIEMBRE, 2000. HOTEL PRESIDENTE INTERCONTINENTAL, SALON TORRE DEL BOSQUE, MEXICO, DF. 4TA EXPOSICION DE OBRA PLASTICA DEL COMITE DE VOLUNTARIADO, INSTITUTO NACIONAL DE NUTRICION, SALVADOR ZUBIRAN, MARZO DEL 2001, MEXICO, DF, “LAS MUJERES DEL GATO” ESTACION METRO BELLAS ARTES, LINEA 8 MEXICO, DF, MARZO DEL 2001 MARZO 20 A ABRIL 16. LAS MUJERES ABORDAN EL METRO, METRO ZOCALO, MARZO DEL 2001, MEXICO, DF, MARZO 26-ABRIL 16. “LAS MUJERES DEL ARTE ABORDAN LA METRO” CASA ABIERTA AL TIEMPO, UAM, UNIDAD IZTAPALAPA, LA UNIDAD DE CULTURA, CIENCIA Y ARTE DEL STC-METRO, LA COORDINACION DE EXTENSION UNIVERSITARIA Y LA SECCION DE ACTIVIDADES CULTURALES A TRAVES DEL CENTRO CULTURAL “CASA DE LAS BOMBAS” MAYO-JUNIO DEL 2001. XXIV EXPOSICION, VENTA DE PINTURA Y ESCULTURA DE LA CRUZ ROJA DE MONTERREY, N.L. COMITE DE DAMAS DE LA CRUZ ROJA. INSTALACIONES DEL CENTRO FINANCIERO BANAMEX, AGOSTO DEL 2001. “UNA NOCHE DE ARTE” ALCAZAR DEL CASTILLO DE CHAPULTEPEC, MEXICO, DF, NOVIEMBRE 28, 2001. CONJUGARTE, DIBUJANDO UN MAÑANA FUNDACION, MAYO DEL 2002, MEXICO, DF. CONJUGARTE Y DIBUJANDO UN MAÑANA. EXPOSICION EPISODIO I, CLUB DE GOLF CHAPULTEPEC, OCTUBRE 23-25, 2002, HUIXQUILUCAN, EDO. DE MEXICO. XXXIV FERIA DEL ARTE, THE AMERICAN SCHOOL FOUNDATION, A.C. SALON DE GALERIAS, NOVIEMBRE 15, 2003, MEXICO, DF. SUBASTA DE ARTE, CAMARA DE COMERCIO BRITANICA, A.C., Y LA GALERIA 10/10, EMBAJADA BRITANICA EN EL DF, DICIEMBRE 4, 2003. PIEZA MAESTRA, CONCIERTO EN ARTE, A BENEFICIO DE LA FUNDACION MEXICO UNIDO, MONTERREY, N.L, MAYO 13, 2004. SUBASTA DE ARTE, CAMARA DE COMERCIO BRITANICA Y GALERIA 10/10, MEXICO D.F., DICIEMBRE DEL 2004 CORAL GABLES, MIAMI, FLO. LA BOHEME, ART GALLERY, NOVIEMBRE 2006 PREMIOS Y MENCIONES EL PREMIO DE GRAFICA EN EL PRIMER CONCURSO DE RECONOCIMIENTO A LA CREATIVIDAD “UNA MIRADA A LA NIÑEZ”, ABRIL 1998, JARDIN DEL ARTE, MEXICO, DF. PREMIO ITALIA PER L’ARTE. PREMIO SPECIALE DELLA GIURIA, VETRINA DEGLI ARTISTi CONTEMPORANEI, CITTA’ DI FIRENZE.. FLORENCIA, ITALIA. DICIEMBRE 98. COLECCIONES PÚBLICAS Y PRIVADAS MUSEO DE ARTE CONTEMPORANEO ALFREDO ZALCE, MORELIA MICHOACAN MUSEO DE LA CULTURA MAYA, CHETUMAL, Q.R. ACCENTMARKETING, MIAMI, FLORIDA BGCOMMUNICATIONS INC. SAN ISIDRO, CALIFORNIA HALLIBURTON DE MEXICO EMBAJADA DE LA ARGENTINA EN MEXICO,D.F. CENTRO ASTURIANO DE MEXICO HOTEL QUINTO SOL TEOTIHUACAN, EDO. DE MEXICO HOSPITAL ANGELES DE INTERLOMAS, HUIXQUILUCAN, EDO.DE MEXICO DEVELOPPEMENT INTERNATIONAL DESJARDINS INC. CAMINO REAL PUERTO VALLARTA, MEXICO GLOBE CHEMICALS, SA. DE CV.

Troy Lehman

myartspace id:tllehman

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Joshie South

myartspace id:Omebas

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Growing up in Alaska impact’s one’s sensibilities with awe. The architecture of the mountains, the fluidity of the elements that carves the forms with the darkness of winter and the never ending sunlight of summer. The Chugach Range taught me process. The layering, covering, uncovering, blotting out shape to slowly reform only to dig back down to strip away with snow, sun, wind and darkness. In my early artistic life I used this method to escape the structure of the bookarts and when I began painting I used this to summon the bridge. The bridge for me was a structure like the mountains that expressed the sublime.With its feet anchored in the earth and the top reaching for the heavens, it translated into spiritual symbolism and myth. Myth is where I find myself now. Describing the invisible spirits of nature, whether of pre – historic cell form called the honorific O – mebas or of the translation of the spiritual into the visible through the use of my pencil and brush.

Terris Nguyen Temple

myartspace id:templeart

Personal Store:http://www.nyaxe.com/templeart/

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Terris Temple is the first Westerner to be trained in the art of Tibetan thangka painting nearly 40 years ago. His focused enthusiasm for this art form led him to teach first at Naropa Institute, then at Buddhist centers across Hawaii. As well as creating thangkas, he paints birds, flowers and landscapes on silks with mineral and botanical pigments. He is presently editing the Tsurphu Thangka video. This deals with his 1st project in Tibet, a 35 mt. ( 108 ft. ) silk brocade applique thangka for His Holiness the 17th Karmapa's Tsurphu Mo0nastery, with his wife Leslie Nguyen Temple. Presently in Thailand

Patrick de warren

myartspace id:pdewarren

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Patrick de Warren was born in Avignon and somehow didn't hold a camera to take his first picture until he was 25 years old, He became a photographer, working and learning with Models to associates them later on in his universe of art while using Fashion models to create his images, He's work is internationally exhibited and he created portraits of christina ricci, jamie lee curtis, chloe sevigny , zac posen among others. His work is about light expressing a reverence for the first photographic pioneers—all about using the sun, cheap lights from hardware stores , cadles light to the latest lighting gear, mixtures of the manufactured and the natural, to make beauty. There is a solmnity to his work that honors the subject—whether a model or a star in her apartment, as if through the somber, almost reportorial recording of the fleeting moment of the light, the human is an extention of the light rather than an object upon which the light plays. His landscapes offer the quietest sense of revelation—the melancholy peace of a blue dawn, light drained from the landscape and held with awe in frigid waters. His works contain a sense of drama without being staged or over-retouched. Light is his palette and his portraits have a painterly quality that1s hard to pinpoint. His portrait of Susan Sarandon, for example—elegant, girlish, innocent and hidden, she is nearly swallowed by the darkness of the room yet is illumianted by the fresh light falling through the window where she sits like a kid on the sill. Models shot in a marsh become renaissance figures, the light soft and flat, diffuse, preserving the secrecy and nobility of each subject. He is markedly not confrontational or probing—alowing a piece of the heart to sly peek through. He catches the inner elegance of each person, the gestural sense of an ongoing life through a face,

Roy Reid

myartspace id:Rfive

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Pearl Van Geest

myartspace id:pearl

Personal Store:http://www.nyaxe.com/pearlvangeest/

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Pearl has exhibited her work extensively since graduating from the Ontario College of Art and Design in 1996. Recent solo exhibitions include Of Possession at the Cambridge Galleries (2008), Love on the Rocks at James Baird Gallery>Pouch Cove, Newfoundland (2007), and Eat Me at Katharine Mulherin Contemporary Art Projects, Toronto (2006). Although born and raised in Canada she spent the better part of the 80’s working and traveling in Africa (Nigeria and Zimbabwe) and India. Her work is informed by these experiences as well as her studies in Biology and Science (BSc. 1980). In addition to maintaining a studio practice she teaches art at various public galleries.

Carl Aldana

myartspace id:Carolo

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Jeff Taylor

myartspace id:dewepisodes

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Born 1963

Vincent Bernier

myartspace id:vincentbernier

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“My works are my diary, my observations, and my release.” Vincent Bernier, young, edgy, frank. This well-travelled Canadian draws from a world of ideas and perspectives. Through a ‘constructed style’ of painting Bernier explores the sensuality and sexuality of the human form, sometimes beautiful, sometimes not. Bernier’s art often reflects his rebellion against religious and social restraints. Taboo subjects are explored with a vibrant in-your-face style, sometimes grand in size, always grand in execution. Vincent Bernier expresses anger, humour, repulsion, beauty, complexity, starkness… all without pretense. His art is true.

Timothy John-Luke Smith

myartspace id:Paintedglyphs

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Jay Kyle Petersen

myartspace id:jayartist

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Picked & listed in August Guide to Museums, Galleries & Artists in Art In America with Dr. Sharon Lippman, Art Without Walls, Inc. Sayville, New York. 2009-2005 Specialize in painting modern abstract professional fine art personal commissions of Guardian Angels of pets and people of all ages living and deceased and national parks in 20 states, Calgary and England. Available to do yours or your loved ones currently $3.25 per square inch Example 10x10 inches = $325 plus s/h Shown with Warhol, Leibovitz, Nevelson, De Chirico and more. National Exhibit record. Painting 31 years. Picked to represent state of Arizona at President Clinton's Inauguration day in Washington, DC, 1993 "Art Across America" In Museum Collection at Southwest Minnesota State Univ. Solo Museum juried exhibit Fredonia Art Center, Kansas, 1997 Over 13 juried Group Museum shows including New York City, de Young Museum Legion of Honor San Francisco, Southern Pennsylvania Art Center at Mechanicsburg, Minneapolis Institute of Art, and Hofstra University. Solo juried shows include Berekley Community Center, Pima Community College, University of Arizona Campus Christian Center and more since 1987 National Group juried show record since 1987 including Philedelpahia, Cal State Long Beach, Phoenix, and more Awards include Tucson Pima Arts Council Individual Artists Grants 2006, 2004; 2nd Place oils Sister Kenney Intl 2001, Honorable Mentions Cal State Long Beach, Art Center at Mechanicsburg, Pennesyvania, and more Publications include Tucson Green Magazine interview with photos volume 1 issue 4 pp 15, 18 2008; Tucson Weekly Pick of the Week, Feb 8-14, 2007, page 24, interview with art image (google to archives),Clinical Psychiatry News Nov 2006, Phoenix Gazette "Purple Haze" 1994; chapter opener for a college psychology textbook 2001, and more. Google my name for more Certified for Life, Community College Instructor, Pima Community College Community Education, part-time, for 13th year teaching "Artists Resume, Portfolio and More!" and "Angels and Guardian Angels"- see quarterly activities catalogue to sign up and info More links www.artistsregister.com/artists/AZ892 www.artisimogallery.com (16 earlier transmutation works on paper) www.vsarts.com (click on Artists Registery and search for me by name Jay Petersen) Assisted in New York City by Dr. Sharon Lippman, PhD, Art Without Walls, Inc, Sayville,New York, she is a retired New York City Modern Art Museuym employee and curated the King Tut exhibit when it first came to MOMA.

Flo Drake del Castillo

myartspace id:fDdC

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Bodo Gsedl

myartspace id:bogser

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Andrew Doran

myartspace id:lighthouse1963

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sean patrick samuels

myartspace id:spsamuels

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Do not seek fame. Do not make plans. Do not be absorbed by activities. Do not think that you know. Be aware of all that is and dwell in the infinite. Wander where there is no path. Be all that Heaven gave you, but act as though you have received nothing. Be empty, that is all. The mind of a perfect man is like a mirror. It grasps nothing. It expects nothing. It reflects but does not hold. Therefore the perfect man can act without effort. (From a translation of The Sage King, Inner Chapters by Chang Tsu)

Karel Witt

myartspace id:ttiwlerak

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Mads Dam

myartspace id:madsdam

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I have always been photographing, on and off. Earlier I made many drawings, but I have only made one painting. Also I have spent some time writing fiction (and some music), but most of that didn't survive the test of time... A quarter of a century ago I discovered the microcomputer, and programming. In 1999 the internet arrived, and a lot of webdesign followed. I'm equally interested in graphics and logic. Because: I consider art an exploration af this mysterious universe (how did we end here and where would we like to go?). And, I think of science as essentially a creative act (worldmaps aren't discovered but created). The only thing faster than light is imagination...

Mary Quinn

myartspace id:c4A2e9j

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I have drawn heads since I was about four years old and I thought someday I would be a Portrait Painter.In my 20s I studied painting with Kenneth Webb the Irish Landscape Artist at his Studio in Co Down N Ireland but it wasn't until I moved to England, married and had three girls that I switched my attention to sculpture. A chance remark made by my mother, "Why do none of you girls do sculpture?" and my reply "Why should we?" lead to the story of my grandfather Paddy Matthews. He was a sculptor and stone mason during the period 1885-1945. Although he trained as a stone mason he became better known in Ireland as the sculptor who carved Celtic Crosses out of Carrara Marble. These amazing crosses can be seen in the graveyards of Skerries Co. Dublin, Eire to day. His son Patrick, though an architect also sculpted and as a child (on holiday from N Ireland) I remember seeing his wonderful carved horse's heads. I enrolled in a weekly sculpture class at my local adult college in Richmond Surrey in 1983. The first lesson was a "life class" and a revelation in more ways than one,a naked woman lying on a mattress, not what my dear mother meant when she said I should take up sculpture. After initial advice on how to handle the clay, the tutor returned to me after an hour. He inspected my work and declared I must have done sculpture before. I kept insisting I hadn't and then told him about my grandfather, at which he said, "Ah it's in the genes". This was indeed the start of my 'love affair' with clay modelling. Three years later I gained the highest marks in the London area for my A level sculpture and got my first commission to sculpt a portrait bust of a BBC producer. Word of mouth lead to more commissions both private and public. In 1990 I sculpted the Prayer Collection for The Christian Resources Exhibition at Sandown, Esher and it was while I worked on the head of Christ on the Cross I was moved to actually say out loud "I HAVE COME HOME". During the week of the Christian Resources Exhibition 5000 visitors every day watched me as I created the bust of Mother Teresa. One of the visitors was a nun from Mother Teresa's order of The Missionaries of Charity in Calcutta. She was back in England visiting her family.As she watched me model the head she began to cry and said she couldn't get over the likeness to 'Mother'.She asked if I had used glass eyes as they were so life like. I told her that the eyes were made of clay and sculpted by my grandfather. It had become my habit when sculpting the eyes in all my portraits to say"Right Grandad you got me into this, now it's your turn, please help me get the eyes right." and do you know, he has never let me down yet.

Katherine Drake Chial

myartspace id:chiakat

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Patrick-Earl Barnes

myartspace id:femurip

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Derrick Riemenschneider

myartspace id:riemenschneider

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I grew up in east texas and I had a football coach for a father and an anglophile english teacher for a mother. I was born in beaumont and raised in conroe texas. I always was drawing and my parents were saddened by this because they knew it would not be the easiest life for me to be creative or artistic. I was the kid who you picked to draw stuff for your school projects. I remember that the KKK used to come to our school and try to recruit people, I knew alot of guys on the football team who where 'wannabe' kkk members. I hung out with them, it was not uncommen. I wanted to get out really bad, i got out and went to school in austin so i could be in a band easier, and i made a math rock band and it was successful to a degree, and i graduated with a UT BFA in 4 years and i think you could say that other people respected me, my peers. I moved to Brooklyn, NY (williamsburg) in December of 2001 after spending the previous 6 months in Europe, mostly germany. New York is the greatest place to live with and make art in the world, and no one should ever leave!

Lynnda Pardoe

myartspace id:lynnda248

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Allison Malinsky

myartspace id:dominopips

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Allison Malinsky is a New York City artist, born in NH to a family of artists and woodworking entrepreneurs. She began her professional art career at New York University, finishing her Studio Art B.S. in 2002. In her recent exhibition, I’m Finding it Hard to be a Lady Everyday, her “beautiful monster-like” self-portraits emphasized her powerful and uninhibited position in drawing and painting. Currently, with the exhibition Grand Hotels, Quite the Circus, Allison will complete her graduate degree at New York University / International Center of Photography (2007). Allison also shares her passion for art by working on her co-founded non profit art organization A.C.T. (Art Changes Tomorrow). Her artwork is in numerous independent art collections and has been displayed in many New York galleries. Recently, her work was also shown in Anji, China.

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