| "Somewhere, Underwear Rainbow" |
| I created this costume in order to make images in my "Rainbow" series. The entire costume is made from commercially-available underwear. Just as a rainbow reveals the individual hues of the visible spectrum, this project reveals the singular aspect of my clothing that I always keep from view. Once in view, it is enhanced and extended with light and duration to create an imitation rainbow - a gift both glorious and specious. |
| Dimensions: Variable;
Medium: Men's Underwear |
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| "Somewhere, Underwear Rainbow" (Cartwheel) |
| I created this costume in order to make images in my "Rainbow" series. The entire costume is made from commercially-available underwear. Just as a rainbow reveals the individual hues of the visible spectrum, this project reveals that aspect of my clothing that I usually keep from view. Once in view, it is captured with light and duration to create an imitation rainbow. In this image, I am turning a cartwheel to imitate the arc of a rainbow. |
| Dimensions: 27" x 36";
Medium: Chromogenic Print |
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| "Somewhere, Underwear Rainbow" (March) |
| I created this costume in order to make images in my "Rainbow" series. The entire costume is made from commercially-available underwear. Just as a rainbow reveals the individual hues of the visible spectrum, this project reveals that aspect of my clothing that I usually keep from view. Once in view, it is captured with light and duration to create an imitation rainbow. |
| Dimensions: 27" x 36";
Medium: Chromogenic Print |
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| "Somewhere, Underwear Rainbow" (Helmet) |
| I created this costume in order to make images in my "Rainbow" series. The entire costume is made from commercially-available underwear. Just as a rainbow reveals the individual hues of the visible spectrum, this project reveals that aspect of my clothing that I usually keep from view. Once in view, it is captured with light and duration to create an imitation rainbow. |
| Dimensions: Variable;
Medium: Men's Underwear |
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| Leaf-Face I |
| This ongoing series employs worm-holed leaves to create a temporary monster mask. The scale joke of the leaf-at-human-scale resonates with the playful fantasy of subject as monster. |
| Dimensions: 4" x 6";
Medium: Chromogenic Print |
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| Leaf-Face |
| This ongoing series employs worm-holed leaves to create a temporary monster mask. The scale joke of the leaf-at-human-scale resonates with the playful fantasy of subject as monster. |
| Dimensions: 4" x 6";
Medium: Chromogenic Print |
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| TysonBytes II |
| This image was made by biting the hand with one of the four dental prosthetics I made using Rapid Prototyping Technology. Together, the prosthetics complete a Mike Tyson quotation (in reversed, raised type) across their lingual face - "...the title is like a woman, it's like love. It doesn't care for anything around it but itself. It doesn't care who possesses it, it still receives whatever. It receives the same when I possess it, when he possesses it. ... It's like a woman: '(Expletive) you, I'm so beautiful I can get the next man with more money, with a better body.'" |
| Dimensions: 18" x 24";
Medium: Chromogenic Print |
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| TysonBytes I |
| This image was made by biting the foot with one of the four dental prosthetics I made using Rapid Prototyping Technology. Together, the prosthetics complete a Mike Tyson quotation (in reversed, raised type) across their lingual face - "...the title is like a woman, it's like love. It doesn't care for anything around it but itself. It doesn't care who possesses it, it still receives whatever. It receives the same when I possess it, when he possesses it. ... It's like a woman: '(Expletive) you, I'm so beautiful I can get the next man with more money, with a better body.'" |
| Dimensions: 18" x 24";
Medium: Chromogenic Print |
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| TysonBytes |
| This is one of the four dental prosthetics I made using Rapid Prototyping Technology. Together, the prosthetics complete a Mike Tyson quotation (in reversed, raised type) across their lingual face - "...the title is like a woman, it's like love. It doesn't care for anything around it but itself. It doesn't care who possesses it, it still receives whatever. It receives the same when I possess it, when he possesses it. ... It's like a woman: '(Expletive) you, I'm so beautiful I can get the next man with more money, with a better body.'" |
| Dimensions: digital file;
Medium: Demonstration Photograph of RP model |
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| Hickeystick (Heart) |
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| Dimensions: ;
Medium: Demonstration Photograph of Cast-Tin Pro |
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| Hickeystick (Heart) |
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| Dimensions: ;
Medium: Demonstration Photograph of Cast-Tin Pro |
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| Autoexposure II |
| These two images were made late at night in my studio using disposable cameras, a tripod, a mirror, firecrackers and glue. To make each image, I placed a camera in front of a mirror, glued a firecracker to the shutter release and ignited the firecracker before stepping out of the way. The result is an authorless self-portrait of the camera at the moment of its demise, and of the firecracker at the moment of its single glory. |
| Dimensions: 9" x 12";
Medium: Black and White Photograph |
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| Autoexposure I |
| These two images were made late at night in my studio using disposable cameras, a tripod, a mirror, firecrackers and glue. To make each image, I placed a camera in front of a mirror, glued a firecracker to the shutter release and ignited the firecracker before stepping out of the way. The result is an ?authorless? selfportrait of the camera at the moment of its demise, and of the firecracker at the moment of its single glory. |
| Dimensions: 9" x 12";
Medium: Black and White Photograph |
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| Juice Newton's New Tones |
| In this performance, I gathered a truckload of plastic thrift-store objects and shredded them in the gallery space using a woodchipper. I then spent a week hand-sorting the chips back into chromogenic piles - red, orange, yellow, and so on - with the help of fifteen assistants. Once the chips were sorted, I lay on the floor, and directed my assistants to pour the chips over the length of my body as I flapped my arms and legs to create a "snow-angel" on the gallery floor. |
| Dimensions: Variable;
Medium: Performance Images |
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| Refraction's Relections |
| This photograph documents my found-ball collection arranged by color. Colors may be described as the refraction of "full-spectrum" visible light. In this image, the colored balls appear to be reflected via the use of a previously recorded photograph spread across the table, under the actual colored balls. The end result is an image embedded in another image, offering both a truth and an untruth about how we see what we see. |
| Dimensions: 16" x 20";
Medium: Chromogenic Print |
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| swingset rainbow |
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| Dimensions: 16" x 24";
Medium: chromogenic print |
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| magic mountain rainbow |
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| Dimensions: 16" x 24";
Medium: chromogenic print |
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| space rainbow |
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| Dimensions: 16" x 24";
Medium: chromogenic print |
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| wineglass rainbow |
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| Dimensions: 16" x 24";
Medium: chromogenic print |
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| robot-backpack |
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| Dimensions: 7' x 3' x 2';
Medium: thrift-store objects |
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